Description

Book Synopsis
Focusing specifically on the figural adornment of Hellenistic architecture, this study provides extensive information about the chronology and interpretation of figural motifs adorning religious, civic, commercial, commemorative and domestic constructions.

Trade Review
Reading the book was pure pleasure. Webb brings together an extraordinary amount of material, ranging from the extremely familiar to the very obscure, and puts it in overall perspective both as sculpture and as architectural elements. I am certain that specialists in both fields will find it useful and enlightening, and also that it will be accessible and enjoyable for non-specialists and readers with little background in Greek art—including undergraduates."—Steven Lattimore, University of California, Los Angeles


"Webb's grasp of the scholarship and coverage of the monuments seem all but total, and her careful and judicious critiques of previous opinion are most valuable."—Andrew F. Stewart, University of California, Berkeley

Hellenistic Architectural Sculpture Figural Motifs in Western Anatolia and the Aegean Islands

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    A Hardback by Pamela A. Webb, Barbara Hughes Fowler

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      View other formats and editions of Hellenistic Architectural Sculpture Figural Motifs in Western Anatolia and the Aegean Islands by Pamela A. Webb

      Publisher: MP-WIS Uni of Wisconsin
      Publication Date: 10/31/1996 12:00:00 AM
      ISBN13: 9780299149802, 978-0299149802
      ISBN10: 0299149803
      Also in:
      Architecture Non-graphic and electronic art forms

      Description

      Book Synopsis
      Focusing specifically on the figural adornment of Hellenistic architecture, this study provides extensive information about the chronology and interpretation of figural motifs adorning religious, civic, commercial, commemorative and domestic constructions.

      Trade Review
      Reading the book was pure pleasure. Webb brings together an extraordinary amount of material, ranging from the extremely familiar to the very obscure, and puts it in overall perspective both as sculpture and as architectural elements. I am certain that specialists in both fields will find it useful and enlightening, and also that it will be accessible and enjoyable for non-specialists and readers with little background in Greek art—including undergraduates."—Steven Lattimore, University of California, Los Angeles


      "Webb's grasp of the scholarship and coverage of the monuments seem all but total, and her careful and judicious critiques of previous opinion are most valuable."—Andrew F. Stewart, University of California, Berkeley

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