Description
Book SynopsisNow in paperback!Heaven Is a Playground was the first book on the uniquely American phenomenon of urban basketball. Rick Telander, a photojournalist and former high school basketball player, spent part of the summer of 1973 and all of the summer of 1974 in Brooklyn living the playground life with his subjects at Foster Park in Flatbush. He slept on the floor of a park regular’s apartment, observing, questioning, traveling, playing with, and eventually coaching a ragtag group of local teenagers whose hopes of better lives were often fanatically attached to the transcendent game itself. Telander introduces us to Fly Williams, a playground legend with incredible leaping ability and self-destructive tendencies that threatened to keep him earthbound. Another standout was Albert King, a fifteen-year-old phenom whose shy, quiet demeanor masked an otherworldly talent that eventually took him to the NBA. This edition also includes Telander’s perspectives on the arrival of an NBA team in Brooklyn.
Heaven Is a Playground is one of a kind—a funny, sad, ultimately inspiring book about Americans and the roots of the sport that they love.
Trade ReviewSports Illustrated's Top 100 Sports Books of All Time
"The best basketball book I've ever read." —Barack Obama
"Telander’s beautiful sentences... feature his keen eye for detail, and his effortless blend of sociology and sport." —Jonathan Eig,
New York magazine
“Funny, sad, superbly written, and intensely involving.” —
New York Times Book Review “Telander’s open-ended chronicle of inner-city playground basketball life is a model of clarity and restraint. No one has written a more resonant or understanding book about kids playing basketball, and few books about sports have willingly pulled together so many truths about the disappointments and dislocating fantasies of athletic competition.” —
The Atlantic “
Heaven Is a Playground is a book that was an inspiration to me in making Hoop Dreams. Not just because of the way Rick Telander engaged in the kind of immersive personal journalism that was as rare then as it is now. But because he wrote with such passion, love, and poetry about that uniquely American confluence of mean streets, basketball, and dreams.” —Steve James, director of Hoop Dreams
