Description

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.

Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructorâs manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.

Key updates in the third edition include:

  • Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not
  • New pieces added to the anthology widen the range of compose

Hearing Form Textbook and Anthology Set

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£85.50

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Usually despatched within 3 days
by Matthew Santa

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Short Description:

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on... Read more

    Publisher: Taylor & Francis
    Publication Date: 12/30/2022
    ISBN13: 9780367703912, 978-0367703912
    ISBN10: 367703912

    Non Fiction , Entertainment

    Description

    Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.

    Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructorâs manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.

    Key updates in the third edition include:

    • Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not
    • New pieces added to the anthology widen the range of compose

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