Description

Book Synopsis
The Handbook of Iconometry (ca. 1687) reproduces, in facsimile, a lavishly illustrated treatise describing the iconometic principles and measurements at the heart of the 17th-century art of Tibet. It includes over 150 drawings of buddhas, bodhisattvas and divinities, 70 script types and 14 stupa models from the rich world of Indo-Tibetan Buddhism.

Trade Review
'the work so well reproduced in the present volume must henceforth serve as a veritable pierre de touche. In some three hundred precise illustrations, we find here a detailed catalogue of iconometric standards, including divinities of all types, their attributes, stupas and other architectural details, and, most interestingly, less well known aspects of Tibetan iconometrical convention including rare styles of calligraphic script. All of this merits close study in relation both to textual sources and evidence of actual artistic practice.(...) admirably high quality of the reproduction of the manuscript itself (...) a virtual substitute for the original text. The publisher, Brill in Leiden, must be congratulated.' Matthew T. Kapstein, Arts Asiatiques, 68 (2013)

Handbook of Tibetan Iconometry: A Guide to the Arts of the 17th Century

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    £149.75

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    A Hardback by Christoph Cuppers, Ulrich Pagel, Leonard van der Kuijp

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      View other formats and editions of Handbook of Tibetan Iconometry: A Guide to the Arts of the 17th Century by Christoph Cuppers

      Publisher: Brill
      Publication Date: Publication Date: 22/06/2012
      ISBN13: 9789004180147, 978-9004180147
      ISBN10: 9004180141

      Description

      Book Synopsis
      The Handbook of Iconometry (ca. 1687) reproduces, in facsimile, a lavishly illustrated treatise describing the iconometic principles and measurements at the heart of the 17th-century art of Tibet. It includes over 150 drawings of buddhas, bodhisattvas and divinities, 70 script types and 14 stupa models from the rich world of Indo-Tibetan Buddhism.

      Trade Review
      'the work so well reproduced in the present volume must henceforth serve as a veritable pierre de touche. In some three hundred precise illustrations, we find here a detailed catalogue of iconometric standards, including divinities of all types, their attributes, stupas and other architectural details, and, most interestingly, less well known aspects of Tibetan iconometrical convention including rare styles of calligraphic script. All of this merits close study in relation both to textual sources and evidence of actual artistic practice.(...) admirably high quality of the reproduction of the manuscript itself (...) a virtual substitute for the original text. The publisher, Brill in Leiden, must be congratulated.' Matthew T. Kapstein, Arts Asiatiques, 68 (2013)

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