Description
Book SynopsisThe subject of this book is the semantics of symphonic music from Beethoven to Mahler. Of fundamental importance is the realization that this music is imbued with non-musical, literary, philosophical and religious ideas. It is also clear that not only Beethoven, Schubert and Bruckner were crucial role models for Mahler, but also the musical dramatist Wagner and the programmatic symphony composers Berlioz and Liszt. At the same time a semantic musical analysis of their works reveals for the first time the actual inherent (poetic) quintessence of numerous orchestral works of the 19th Century.
Trade Review«The most important study of Mahler for nearly two decades» (
Music & Letters)
«Floros can offer interpretations that would otherwise be impossible. Without the interpretation of symbols, no real progress in musicology is possible.» (
Musical Borrowing)
Table of ContentsContents: Beethoven and the new categories of symphonic music – Aspects of architectonics – Content and form – Musical themes and the «poetic conception» – Universality of the symphony: genres and characteristics – The symbol in music – Satanism and the Crucifix – Dall’ Inferno al Paradiso – Rhythmic leitmotivs – Characteristic Chord – Symbolic Sounds.
