Description

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.

Although better-known for his portraits, Gustav Klimt (1862–1918) also achieved great acclaim for his landscape art. A symphony of grey, orange and green, this unforgettable autumn landscape painting appears poised to transcend its figurative function altogether. The flattening of perspective in so many of Klimt’s woodland scenes is often said to result from his use of a ‘viewfinder’ (if no more than a cut-out cardboard frame) in composing scenes.

Gustav Klimt: The Birch Wood Greeting Card Pack: Pack of 6

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£14.40

Includes FREE delivery
Usually despatched within days
Cards by Flame Tree Studio

1 in stock

Short Description:

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with... Read more

    Publisher: Flame Tree Publishing
    Publication Date: 04/02/2022
    ISBN13: 9781839648441, 978-1839648441
    ISBN10: 1839648449

    Not Just Books , Stationery

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    Description

    Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.

    Although better-known for his portraits, Gustav Klimt (1862–1918) also achieved great acclaim for his landscape art. A symphony of grey, orange and green, this unforgettable autumn landscape painting appears poised to transcend its figurative function altogether. The flattening of perspective in so many of Klimt’s woodland scenes is often said to result from his use of a ‘viewfinder’ (if no more than a cut-out cardboard frame) in composing scenes.

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