Description

Book Synopsis
Trilingual edition (English/German/Slovenian) / Dreisprachige Ausgabe (deutsch/englisch/slowenisch)

Günther Domenig died in 2012, having become internationally known for his iconic Steinhaus and the architecturally important Nazi Party Rally Grounds Documentation Center in Nuremberg. The trilingual volume In Resonance takes an unusual approach to his work, offering an outsider's view of the Carinthia- born architect’s oeuvre—ne that stands apart from both the dominant perspectives on his work and from the norms of architecture books in general. The intimate picture series by photographer Gerhard Maurer comprises over thirty of the buildings designed by Günther Domenig and stands in dialogue with writer Anna Baar’s essayist approach to the architect’s work. The essays and photos capture the architecture in its current context and create space for contradictions, for lacunae, for the unusable—nd for the beautiful.

Günther Domenig: Dimensional: In Resonanz

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    A Paperback / softback by Anna Baar, Gerhard Maurer, Kurator:innen Kollektiv section.a

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      Publisher: JOVIS Verlag
      Publication Date: Publication Date: 05/07/2022
      ISBN13: 9783868597585, 978-3868597585
      ISBN10: 3868597581

      Description

      Book Synopsis
      Trilingual edition (English/German/Slovenian) / Dreisprachige Ausgabe (deutsch/englisch/slowenisch)

      Günther Domenig died in 2012, having become internationally known for his iconic Steinhaus and the architecturally important Nazi Party Rally Grounds Documentation Center in Nuremberg. The trilingual volume In Resonance takes an unusual approach to his work, offering an outsider's view of the Carinthia- born architect’s oeuvre—ne that stands apart from both the dominant perspectives on his work and from the norms of architecture books in general. The intimate picture series by photographer Gerhard Maurer comprises over thirty of the buildings designed by Günther Domenig and stands in dialogue with writer Anna Baar’s essayist approach to the architect’s work. The essays and photos capture the architecture in its current context and create space for contradictions, for lacunae, for the unusable—nd for the beautiful.

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