Description

Book Synopsis
This first book in English on Meisel-Hess, an early feminist voice in modernist discourse, illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Grete Meisel-Hess (1879-1922), a contemporary of Freud, Schnitzler, and Klimt, was a feminist voice in early-twentieth-century modernist discourse. Born in Prague to Jewish parents and raised in Vienna, she became a literary presence with her 1902 novel Fanny Roth. Influenced by many of her contemporaries, she also criticized their notions of gender and sexuality. Relocating to Berlin, she continued to write fiction and began publishing on sexology and the women's movement. Helga Thorson's book combines a literary-cultural exploration of modernism in Vienna and Berlin with a biography of Meisel-Hess and a critical analysis of her works. Focusing on Meisel-Hess's negotiations of feminism, modernism, and Jewishness, it illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Analyzing Meisel-Hess's fiction as well as her sexological studies, Thorson argues that Meisel-Hess posited herself as both a "New Woman" and the writer of the "New Woman." The book draws on extensive archival research that uncovered a large number of new sources, including an unpublished drama and a variety of documents and letters scattered in collections across Europe. Until now there have been only limited secondary sources about Meisel-Hess, most containing errors and omissions regarding her biography. This is the first book on Meisel-Hess in English.

Trade Review
While Thorson's book is grounded in long-gestating research and writing, it takes inspiration from current research on gender and modernism as well as relatively recent critical notions such as "geo-modernism" and discussions surrounding intersectionality. It hence offers several layers of analysis: deep textual work; the very rich reconstruction of intellectual, social, and life contexts situating these ideas and texts; and, finally, the theoretical concerns of current scholarship. * JOURNAL OF AUSTRIAN STUDIES *

Table of Contents
Acknowledgments List of Illustrations List of Abbreviations Introduction: Breaking with the Past, Forging the Future 1: The New Woman of the Early Twentieth Century 2: Feminism and Jewishness in Viennese Literary Modernism 3: Theorizing the Sexual Crisis through Journalism and Sexology 4: Effecting Change through Literature: Die Intellektuellen (1911) 5: Sexual Sociology during the First World War Conclusion: Living the Sexual Crisis Bibliography Index

Grete Meisel-Hess: The New Woman and the Sexual

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    A Hardback by Professor Helga Thorson

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      Publisher: Boydell & Brewer Ltd
      Publication Date: 23/08/2022
      ISBN13: 9781640141032, 978-1640141032
      ISBN10: 1640141030

      Description

      Book Synopsis
      This first book in English on Meisel-Hess, an early feminist voice in modernist discourse, illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Grete Meisel-Hess (1879-1922), a contemporary of Freud, Schnitzler, and Klimt, was a feminist voice in early-twentieth-century modernist discourse. Born in Prague to Jewish parents and raised in Vienna, she became a literary presence with her 1902 novel Fanny Roth. Influenced by many of her contemporaries, she also criticized their notions of gender and sexuality. Relocating to Berlin, she continued to write fiction and began publishing on sexology and the women's movement. Helga Thorson's book combines a literary-cultural exploration of modernism in Vienna and Berlin with a biography of Meisel-Hess and a critical analysis of her works. Focusing on Meisel-Hess's negotiations of feminism, modernism, and Jewishness, it illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Analyzing Meisel-Hess's fiction as well as her sexological studies, Thorson argues that Meisel-Hess posited herself as both a "New Woman" and the writer of the "New Woman." The book draws on extensive archival research that uncovered a large number of new sources, including an unpublished drama and a variety of documents and letters scattered in collections across Europe. Until now there have been only limited secondary sources about Meisel-Hess, most containing errors and omissions regarding her biography. This is the first book on Meisel-Hess in English.

      Trade Review
      While Thorson's book is grounded in long-gestating research and writing, it takes inspiration from current research on gender and modernism as well as relatively recent critical notions such as "geo-modernism" and discussions surrounding intersectionality. It hence offers several layers of analysis: deep textual work; the very rich reconstruction of intellectual, social, and life contexts situating these ideas and texts; and, finally, the theoretical concerns of current scholarship. * JOURNAL OF AUSTRIAN STUDIES *

      Table of Contents
      Acknowledgments List of Illustrations List of Abbreviations Introduction: Breaking with the Past, Forging the Future 1: The New Woman of the Early Twentieth Century 2: Feminism and Jewishness in Viennese Literary Modernism 3: Theorizing the Sexual Crisis through Journalism and Sexology 4: Effecting Change through Literature: Die Intellektuellen (1911) 5: Sexual Sociology during the First World War Conclusion: Living the Sexual Crisis Bibliography Index

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