Description
Book SynopsisGreek Tragedy sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences.
Trade Review“Engaging introduction to Greek tragedy, … Greek Tragedy is written in an informal, appealing style … .Rabinowitz is able to lead the reader quickly to the central issues of a play, often with reference to key terms or ideas already brought up in the ‘context’ chapters, and then to explore those ideas as pairs of irreconcilables in a way consistent with her overall emphasis on the ambivalences, ambiguities, and unresolved problems tragedy poses to ancient and modern audiences alike.” (
Bryn Mawr Classical Review, December 2008)
“As a supplement … [it’s] a vein of gold. [The author’s] nuanced familiarity with every aspect of the topic of Greek drama is breath-taking.” (About.com)
Table of ContentsList of Figures.
Preface.
Introduction.
Part I Tragedy in Its Athenian Context.
1 What Was Tragedy?.
Definitions of Tragedy.
What Did It Do?.
Where Did It Come From?.
How Were the Plays Performed?.
2 Tragedy and the Polis.
Democracy.
Empire and Hegemony.
Performance Setting.
Rhetoric.
Referentiality.
Ideology.
Nothing to Do with the City?.
3 Tragedy and Greek Religion.
Dionysos.
Sacred Time and Space.
Ritual Practices.
Ritual Practice in Tragedy.
Greek Gods and Mortals.
Tragedy and Myth.
Euripides’ Bacchai.
Part II Thematic Approaches.
4 War and Empire.
Aeschylus’ Persians.
Aeschylus’ Oresteia.
Euripides’ Iphigeneia at Aulis.
5 Family Romance and Revenge in the House of Atreus.
Euripides’ Elektra.
Sophocles’ Elektra.
6 Victims and Victimizers.
Euripides’ Trojan Women.
Euripides’ Hekabe.
Euripides’ Medea.
7 The King and I.
Sophocles’ Antigone.
Sophocles’ Oedipus Tyrannos.
8 Epilogue: Modern Performances (with Sue Blundell).
References.
Index
