Description

Book Synopsis

Covering the silent era to the present, this wide-ranging collection of essays examines Greek cinema as an aesthetic, cultural, and political phenomenon with the potential to appeal to a diverse range of audiences. Using a range of methodological tools, the authors investigate the ever-shifting forms and meanings at work within Greece’s national cinema and locate it within the booming interdisciplinary study of European cinema at large. Designed for undergraduate courses in film studies, this well-researched volume fills a substantial gap in the market for critical works on Greek cinema in English.



Trade Review

'The adventurous explorations, the sound suggestions and the vast research show that Papadimitriou and Tziounakis’ volume institutes a new beginning for the re-evaluation of Greek Cinema.' – Senses of Cinema, Vrasidas Karalis



Table of Contents
Introduction – Lydia Papadimitriou and Yannis Tzioumakis Part I: Approaches

Chapter 1: A Touch of Spice: Mobility and Popularity – Dimitris Eleftheriotis

Chapter 2: Is There Such a Thing as a Greek Blockbuster? The Revival of Contemporary Greek Cinema – Michalis Kokonis

Chapter 3: Gloves and Moustaches: Masculinity and Gender Relations in the Film Ta Kitrina Gantia/Yellow Gloves – Yvonne Alexia Kosma

Part II: Histories

Chapter 4: Coloniality and Early Greek Film Culture – Vassiliki Tsitsopoulou

Chapter 5: Open-air Cinema in Athens: The Rise of the City and Urban Identities – Yiannis Christofides and Melissanthi Saliba

Chapter 6: Silent Greek Cinema: In Search of Academic Recognition – Eliza Anna Delveroudi

Chapter 7: Definitely Maybe: Possible Narratives of the History of Greek Cinema – Maria A. Stassinopoulou

Part III: Identity

Chapter 8: Music, Dance and Cultural Identity in the Greek Film Musical – Lydia Papadimitriou

Chapter 9: Carnivalized Greekness: Stavros Tsiolis’ Please, Ladies Don’t Cry – Nikos Leros

Chapter 10: Cacoyannis’ Stella: Representation and Reception of a Patriarchal Anomaly – Achilleas Hadjikyriacou

Chapter 11: Greek Cinema Without Greece: Investigating Alternative Formations – Gary Needham

Part IV: Aesthetics

Chapter 12: Film Style in Old Greek Cinema: The Case of Dinos Dimopoulos – Eleftheria Thanouli

Chapter 13: Reflections on Pain, Loss and Memory: Takis Kanellopoulos’ Fiction Films of the 1960s – Panayiota Mini

Chapter 14: The Geography of Neo-Realism in Greece: City Images, Urban Representations and Aesthetics of Space – Anna Poupou

Greek Cinema: Texts, Histories, Identities

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    A Paperback / softback by Yannis Tzioumakis, Lydia Papadimitriou

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      Publisher: Intellect Books
      Publication Date: 01/04/2012
      ISBN13: 9781841504339, 978-1841504339
      ISBN10: 1841504335

      Description

      Book Synopsis

      Covering the silent era to the present, this wide-ranging collection of essays examines Greek cinema as an aesthetic, cultural, and political phenomenon with the potential to appeal to a diverse range of audiences. Using a range of methodological tools, the authors investigate the ever-shifting forms and meanings at work within Greece’s national cinema and locate it within the booming interdisciplinary study of European cinema at large. Designed for undergraduate courses in film studies, this well-researched volume fills a substantial gap in the market for critical works on Greek cinema in English.



      Trade Review

      'The adventurous explorations, the sound suggestions and the vast research show that Papadimitriou and Tziounakis’ volume institutes a new beginning for the re-evaluation of Greek Cinema.' – Senses of Cinema, Vrasidas Karalis



      Table of Contents
      Introduction – Lydia Papadimitriou and Yannis Tzioumakis Part I: Approaches

      Chapter 1: A Touch of Spice: Mobility and Popularity – Dimitris Eleftheriotis

      Chapter 2: Is There Such a Thing as a Greek Blockbuster? The Revival of Contemporary Greek Cinema – Michalis Kokonis

      Chapter 3: Gloves and Moustaches: Masculinity and Gender Relations in the Film Ta Kitrina Gantia/Yellow Gloves – Yvonne Alexia Kosma

      Part II: Histories

      Chapter 4: Coloniality and Early Greek Film Culture – Vassiliki Tsitsopoulou

      Chapter 5: Open-air Cinema in Athens: The Rise of the City and Urban Identities – Yiannis Christofides and Melissanthi Saliba

      Chapter 6: Silent Greek Cinema: In Search of Academic Recognition – Eliza Anna Delveroudi

      Chapter 7: Definitely Maybe: Possible Narratives of the History of Greek Cinema – Maria A. Stassinopoulou

      Part III: Identity

      Chapter 8: Music, Dance and Cultural Identity in the Greek Film Musical – Lydia Papadimitriou

      Chapter 9: Carnivalized Greekness: Stavros Tsiolis’ Please, Ladies Don’t Cry – Nikos Leros

      Chapter 10: Cacoyannis’ Stella: Representation and Reception of a Patriarchal Anomaly – Achilleas Hadjikyriacou

      Chapter 11: Greek Cinema Without Greece: Investigating Alternative Formations – Gary Needham

      Part IV: Aesthetics

      Chapter 12: Film Style in Old Greek Cinema: The Case of Dinos Dimopoulos – Eleftheria Thanouli

      Chapter 13: Reflections on Pain, Loss and Memory: Takis Kanellopoulos’ Fiction Films of the 1960s – Panayiota Mini

      Chapter 14: The Geography of Neo-Realism in Greece: City Images, Urban Representations and Aesthetics of Space – Anna Poupou

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