Description
Book SynopsisThe Metropolitan has stood among the grandest of opera companies since its birth in 1883. Tracing the offstage/onstage workings of this famed New York institution, this title tells how the Met became and remains a powerful actor on the global cultural scene.
Trade Review"A welcome addition to the annals of opera history. Opera fans will feast on the facts and famous figures that fill these pages." Library Journal "A valuable and readable history of the Met." -- Joseph Horowitz Wall Street Journal "An entertaining and serious contextualization of the state of the Metropolitan Opera today, as well as an emotionally and intellectually satisfying read." -- Weston Williams Christian Science Monitor "This volume tells of a grand operatic melodrama, though played out as often by general managers and unions as by prima donnas." BEST BOOKS OF 2014 -- Richard Fairman Financial Times "Passionate opera fans Charles and Mirella Affron have created a comprehensive, decade-by-decade history of the Metropolitan Opera House and its changing repertoire, from the inaugural 1883 Faust to Marian Anderson's Civil Rights era debut to the age of 'Live in HD"'simulcast. If the Phoenicia Festival of the Voice whetted your operatic appetite, here is a splendid multicourse meal." -- Nina Shengold Chronogram "This new history is an epic treat for the Metophile ... an exhaustively researched, updated, thoughtful Met Opera history. The successive directors' flaws and achievements are described with equanimity. It compellingly conveys the problems and the progress, the failures and the glories of the Metropolitan Opera." -- Carol L. Anderson Wagner Notes "The Affrons have filled a void with 'Grand Opera: The Story of the Met.' ... They have written a conscientious, readable history of this world-renowned opera company. Their writing style is elegant, fitting for the elegant Met." -- Bill Schwab The Missourian "Richly detailed ... For better or worse, where the Met goes, other companies follow; and as the Affrons' gracefully written and finely researched history so often reminds us, the history of the Met is frequently the history of opera itself." -- Ditlev Rindom Cambridge Humanities Review
Table of ContentsList of Illustrations Preface Acknowledgments 1 * A Matter of Boxes, 1883--1884: Bel Canto 2 * Cultural Capital, 1884--1903: The German Seasons and French Opera 3 * Opera Wars, 1903--1908: Parsifal, Salome, and the Manhattan Opera Company 4 * Modernity, 1908--1929: Puccini 5 * Hard Times, 1929--1940: Wagner 6 * Strains of War, 1940--1950: The Conductor's Opera 7 * Stage Business, 1950--1966: Verdi 8 * In Transit, 1966--1975: American Opera 9 * Maestro Assoluto, 1975--1990: Twentieth-Century European Opera and the Baroque 10 * Patronage and Perestroika, 1990--2006: American Opera (Redux) and Slavic Opera 11 * In the Age of New Media, 2006--2013 Notes Index
