Description

Book Synopsis
Why did Gower choose to write his most famous poem in English? New insights into his purpose and the context and tradition of the poem are presented here. After establishing his reputation as a literary author by means of his French and Latin verse, Gower came to recognize the possibilities which English held for serious poetry only in the 1380s. This book gives sustained attentionto the implications of this language choice for the form, readership, religious position, and lay authority of his best-known work, the Confessio Amantis.The author argues that in all of his moral-political-theological writings, Gower's stance as a satirist and publicist is more markedly lay, and more rhetorically momentous for reasons associated with this lay status, than is generally thought. But during the 1380s, the conditions for writing lay public poetry in English made the Confessio a truly remarkable feat, for Gower and for English poetry. Notwithstanding the poem's formal debt to aristocratic literature and the evident elitism of its earliest known readership, the Confessio imagines a broader and more popular audience than do the Vox and the Mirour, modulating its author's vision into a comparatively muted register by appropriating the oblique strategies ofOvidian myth, Ovidian art of love, affective devotional writing, and romance. The resulting "public poetry" is at once subtly accommodated to the conditions for writing in English and profoundly significant for the development ofthe English poetic tradition. T. Matthew N. McCabe is Assistant Professor of English at Ambrose University College (Calgary).

Trade Review
A commendable first book. * JOURNAL OF ENGLISH AND GERMANIC PHILOLOGY *
[An] extremely thoughtful study [and] a valuable contribution to Gower scholarship. * MEDIUM AEVUM *
This immensely provocative study is filled with striking connections between approaches to the poem that are rarely brought together, illuminating studies of key words [...], and compelling readings of individual tales. [...] A splendid example of the vigour of new work on Gower. * REVIEW OF ENGLISH STUDIES *
This is a well-written, scholarly book and a significant contribution to Gower studies. [...] Recommended. * CHOICE *

Table of Contents
Introduction: Vernacularity and Public Poetry Gower's Ovidian Voice in English English Writing and Lay Theology At the Limits of Clerical Discourse: Gower and "lewed clergie" Kinde Grace: Metamorphosis in Other Words Ethics, Art, and Grace Conclusion: Gower and Public Poetry Bibliography

Gower's Vulgar Tongue: Ovid, Lay Religion, and

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    A Hardback by T. Matthew N. McCabe

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      View other formats and editions of Gower's Vulgar Tongue: Ovid, Lay Religion, and by T. Matthew N. McCabe

      Publisher: Boydell & Brewer Ltd
      Publication Date: 17/11/2011
      ISBN13: 9781843842835, 978-1843842835
      ISBN10: 1843842831

      Description

      Book Synopsis
      Why did Gower choose to write his most famous poem in English? New insights into his purpose and the context and tradition of the poem are presented here. After establishing his reputation as a literary author by means of his French and Latin verse, Gower came to recognize the possibilities which English held for serious poetry only in the 1380s. This book gives sustained attentionto the implications of this language choice for the form, readership, religious position, and lay authority of his best-known work, the Confessio Amantis.The author argues that in all of his moral-political-theological writings, Gower's stance as a satirist and publicist is more markedly lay, and more rhetorically momentous for reasons associated with this lay status, than is generally thought. But during the 1380s, the conditions for writing lay public poetry in English made the Confessio a truly remarkable feat, for Gower and for English poetry. Notwithstanding the poem's formal debt to aristocratic literature and the evident elitism of its earliest known readership, the Confessio imagines a broader and more popular audience than do the Vox and the Mirour, modulating its author's vision into a comparatively muted register by appropriating the oblique strategies ofOvidian myth, Ovidian art of love, affective devotional writing, and romance. The resulting "public poetry" is at once subtly accommodated to the conditions for writing in English and profoundly significant for the development ofthe English poetic tradition. T. Matthew N. McCabe is Assistant Professor of English at Ambrose University College (Calgary).

      Trade Review
      A commendable first book. * JOURNAL OF ENGLISH AND GERMANIC PHILOLOGY *
      [An] extremely thoughtful study [and] a valuable contribution to Gower scholarship. * MEDIUM AEVUM *
      This immensely provocative study is filled with striking connections between approaches to the poem that are rarely brought together, illuminating studies of key words [...], and compelling readings of individual tales. [...] A splendid example of the vigour of new work on Gower. * REVIEW OF ENGLISH STUDIES *
      This is a well-written, scholarly book and a significant contribution to Gower studies. [...] Recommended. * CHOICE *

      Table of Contents
      Introduction: Vernacularity and Public Poetry Gower's Ovidian Voice in English English Writing and Lay Theology At the Limits of Clerical Discourse: Gower and "lewed clergie" Kinde Grace: Metamorphosis in Other Words Ethics, Art, and Grace Conclusion: Gower and Public Poetry Bibliography

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