Description

The number of eponymous female characters in Handel's work is remarkable, from the first opera Almira (1705) to the last melodramma Deidamia (1740), supplemented by Esther, Deborah and Athalia. In the contributions of the GHB 2016, the female figure is traced in the music of Handel's time, guided by the central aesthetic terms 'sensitive', 'heroic' and 'sublime'. In addition, there are studies by Hans Joachim Marx and Ton Koopman, in addition to the usual bibliography and communications from the Göttinger Handel Society. V.

Gottinger Handel-beitrage: Jahrbuch/Yearbook 2016

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Hardback by Wolfgang Sandberger , Laurenz Lütteken

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The number of eponymous female characters in Handel's work is remarkable, from the first opera Almira (1705) to the last... Read more

    Publisher: Vandenhoeck & Ruprecht GmbH & Co KG
    Publication Date: 18/04/2016
    ISBN13: 9783525278345, 978-3525278345
    ISBN10: 3525278349

    Number of Pages: 128

    Non Fiction , Entertainment

    Description

    The number of eponymous female characters in Handel's work is remarkable, from the first opera Almira (1705) to the last melodramma Deidamia (1740), supplemented by Esther, Deborah and Athalia. In the contributions of the GHB 2016, the female figure is traced in the music of Handel's time, guided by the central aesthetic terms 'sensitive', 'heroic' and 'sublime'. In addition, there are studies by Hans Joachim Marx and Ton Koopman, in addition to the usual bibliography and communications from the Göttinger Handel Society. V.

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