Description

Book Synopsis
for SATB and brass ensemble or full orchestraGloria was written in 1974 in response to a commission from The Voices of Mel Olson, a choir based in the USA. The division of the work into three movements â respectively proclamatory, prayerful, and joyfully affirmative â corresponds to the divisions in the text. Most of the melodic material derives from a Gregorian chant associated with this text.An accompaniment for orchestra without organ is also available.Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1.

Trade Review
sits happily in the repertoire of almost any sized choir. Dating from 1974, it remains one of his most popular works. The two outer movements are gloriously bright, while the quieter middle section is more gentle. Once again, choirs love to sing this music, and audiences seldom fail to respond to it. * BBC Music Magazine Nov 97 *

Gloria

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A Sheet music by John Rutter

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    View other formats and editions of Gloria by John Rutter

    Publisher: Oxford University Press
    Publication Date: 13/05/1976
    ISBN13: 9780193380622, 978-0193380622
    ISBN10: 0193380625

    Description

    Book Synopsis
    for SATB and brass ensemble or full orchestraGloria was written in 1974 in response to a commission from The Voices of Mel Olson, a choir based in the USA. The division of the work into three movements â respectively proclamatory, prayerful, and joyfully affirmative â corresponds to the divisions in the text. Most of the melodic material derives from a Gregorian chant associated with this text.An accompaniment for orchestra without organ is also available.Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1.

    Trade Review
    sits happily in the repertoire of almost any sized choir. Dating from 1974, it remains one of his most popular works. The two outer movements are gloriously bright, while the quieter middle section is more gentle. Once again, choirs love to sing this music, and audiences seldom fail to respond to it. * BBC Music Magazine Nov 97 *

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