Description
Book SynopsisHas a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities.
Levy revisits media characters that have caught the attention of the broader public such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood and argues that they have gradually blended in the public''s perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, pove
Table of Contents
Acknowledgments List of Illustrations and Tables Series Editors’ Introduction Introduction: Globally queer? A tale of two worlds 1. Commodifying, de-commodifying, localising queer media and culture 2. Queer news 3. Queer artists 4. Trans influencers 5. Global platforms, local characters Conclusion: From globalized queerness to possible homecomings Index
