Description
Book SynopsisNo more than there can be time without space can there be history without locality. This book takes a road less traveled into a locality that provides fresh insights into our global dilemmas. Bolton-le-Moors was a global center of cotton, coal, and engineering, whose factory engines were the beating heart of the Victorian world. Commanding the widest range of trades of any town in the Empire, it specialized in papermaking, from pawn tickets to banknotes, via newspapers and syndicated fiction. Responsive to locality, yet world-aware, its many independent writers shared a creative forum with authors like Wordsworth, Tennyson, Ruskin, Gaskell, Charlotte Brontë, Tolstoy, Whitman, Thomas Hardy, T. S. Eliot, Virginia Woolf. Other “locals” include mathematician Thomas Kirkman, “father of design theory,” Thomas Moran, painter of the American “New West,” Charles Holden, the Empire’s leading Modern architect. Bolton’s printed culture was founded on traditions that made it a bulwark of parliamentary puritanism in the days of Reformation and Civil War. These traditions increasingly confronted global dilemmas that the town’s own inventiveness and entrepreneurship had helped create: yet its high moorlands also provided a breathing space to generate imaginative spiritual, political, and practical remedies. Global Dilemmas completes the account of Bolton writing initiated in A Kingdom in Two Parishes and continued in Classic Soil: an arc of discourse from Thomas Lever (1521-77), whose social experiments provided the model for the Protestant colonization of the New World, to his kinsman W. H. Lever (Lord Leverhulme), sincere Christian, world capitalist, progressive social thinker, and (pursuing the logic of profit) exploiter of Conrad’s African “heart of darkness.”
Trade ReviewA wonderful book: Hardman’s authoritative and absorbing analysis reveals how Bolton’s restless ambitions extended from local activity to a confrontation with the global challenges that continue to shape our world. -- Dinah Birch, Pro-Vice-Chancellor for Cultural Engagement and Professor of English Literature at the University of Liverpool
This wonderful history sweeps from local detail to the broad national picture and the context of Victorian culture. The reader gains intimate and unique insights. -- Isobel Armstrong, FBA AAAS Birkbeck, London
Table of ContentsSECTION ONE: Victorian Part One: Famine 1.Recognition 2.New Political Conditions 3.“The Irish Emergency” 4. During the Cotton Famine Part Two: Bread upon the Waters 5.A Miracle of Design? 6.Fight and Weave SECTION TWO: Modern Part Three: Socialism 7.Three Bolton Socialists: Wallace, Johnston, Clarke 8.The Power of Association 9.Privileged Impressions 10.Fresh Impressions Part Four: Advertising 11.The Pity of War 12.Beyond Self-Help 13.Three Bolton Capitalists: Tillotson, Thomasson, Lever Reference List
