Description

Book Synopsis

Global Byzantium is, in part, a recasting and expansion of the old Byzantium and its neighbours' theme with, however, a methodological twist away from the resolutely political and toward the cultural and economic. A second thing that Global Byzantium as a concept explicitly endorses is comparative methodology. Global Byzantium needs also to address three further issues: cultural capital, the importance of the local, and the empire's strategic geographical location. Cultural capital: in past decades it was fashionable to define Byzantium as culturally superior to western Christian Europe, and Byzantine influence was a key concept, especially in art historical circles. This concept has been increasingly criticised, and what we now see emerging is a comparative methodology that relies on the concept of competitive sharing', not blind copying but rather competitive appropriation. The importance of the local is equally critical. We need to talk more about what the Byzantines s

Trade Review

‘This collection of expert papers [is] a worthy effort to put Byzantium back on the world stage, showing how it played a highly significant role in terms of connectivity well beyond the margins of the Mediterranean … the book overall stands as an important contribution to future directions in which Byzantine studies might usefully develop’ - Medieval Archaeology, 67/2, 2023.



Table of Contents

Introduction: The Future of Global Byzantium / Seen from across the Sea: India in the Byzantine Worldview / Byzantium beyond Byzantium: What about Greek(s) in Eighth-Century Italy? / Silk in the Byzantine World: Technology and Transmission / Composing World History at the Margins of Empire: Armenian and Byzantine Traditions in Comparative Perspective / Global Byzantium: Whirlwind Romance or Fundamental Paradigm Shift? / Global Art or Local Art? The Mosaic Panels of Justinian and Theodora in S Vitale, Ravenna / Movement and Mobility: Cotton and the Visibility of Trade Networks Across the Saharan Desert / Maniera Greca and Renaissance Europe: More than Meets the Eye / Magical Signs in Christian Byzantium, Judaism and Islam: A Global Language / How global was the Mediterranean in the Early Middle Ages? A view from the Western edge / Hegemony, Counterpower and Global History: Medieval New Rome and Caucasia in a Critical Perspective / What is "Byzantine"? Gender, Ethnicity and the Construction of Identities on Byzantium’s Literary Frontiers / The Helladic Paradigm in a Global Perspective / Secluded Place or Global Magnet? The Monastery of Saint Catherine in the Sinai and its Manuscript Collection / Early Byzantine Art in China: A Test Case for Global Byzantium / Centre or Periphery? Constantinople and the Eurasian Trading System at the End of Antiquity / Transferring Skills and Techniques across the Mediterranean: Some Preliminary Remarks on Stucco in Italy and Byzantium / Import, Export: The Global Impact of Byzantine Marriage Alliances during the Tenth Century / Conclusion: Post-Colonial Reflections and the Challenge of Global Byzantium

Global Byzantium

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    A Paperback by Leslie Brubaker, Rebecca Darley, Daniel Reynolds

    15 in stock


      View other formats and editions of Global Byzantium by Leslie Brubaker

      Publisher: Taylor & Francis Ltd
      Publication Date: 1/29/2024 12:00:00 AM
      ISBN13: 9781032270197, 978-1032270197
      ISBN10: 1032270195
      Also in:
      History of art

      Description

      Book Synopsis

      Global Byzantium is, in part, a recasting and expansion of the old Byzantium and its neighbours' theme with, however, a methodological twist away from the resolutely political and toward the cultural and economic. A second thing that Global Byzantium as a concept explicitly endorses is comparative methodology. Global Byzantium needs also to address three further issues: cultural capital, the importance of the local, and the empire's strategic geographical location. Cultural capital: in past decades it was fashionable to define Byzantium as culturally superior to western Christian Europe, and Byzantine influence was a key concept, especially in art historical circles. This concept has been increasingly criticised, and what we now see emerging is a comparative methodology that relies on the concept of competitive sharing', not blind copying but rather competitive appropriation. The importance of the local is equally critical. We need to talk more about what the Byzantines s

      Trade Review

      ‘This collection of expert papers [is] a worthy effort to put Byzantium back on the world stage, showing how it played a highly significant role in terms of connectivity well beyond the margins of the Mediterranean … the book overall stands as an important contribution to future directions in which Byzantine studies might usefully develop’ - Medieval Archaeology, 67/2, 2023.



      Table of Contents

      Introduction: The Future of Global Byzantium / Seen from across the Sea: India in the Byzantine Worldview / Byzantium beyond Byzantium: What about Greek(s) in Eighth-Century Italy? / Silk in the Byzantine World: Technology and Transmission / Composing World History at the Margins of Empire: Armenian and Byzantine Traditions in Comparative Perspective / Global Byzantium: Whirlwind Romance or Fundamental Paradigm Shift? / Global Art or Local Art? The Mosaic Panels of Justinian and Theodora in S Vitale, Ravenna / Movement and Mobility: Cotton and the Visibility of Trade Networks Across the Saharan Desert / Maniera Greca and Renaissance Europe: More than Meets the Eye / Magical Signs in Christian Byzantium, Judaism and Islam: A Global Language / How global was the Mediterranean in the Early Middle Ages? A view from the Western edge / Hegemony, Counterpower and Global History: Medieval New Rome and Caucasia in a Critical Perspective / What is "Byzantine"? Gender, Ethnicity and the Construction of Identities on Byzantium’s Literary Frontiers / The Helladic Paradigm in a Global Perspective / Secluded Place or Global Magnet? The Monastery of Saint Catherine in the Sinai and its Manuscript Collection / Early Byzantine Art in China: A Test Case for Global Byzantium / Centre or Periphery? Constantinople and the Eurasian Trading System at the End of Antiquity / Transferring Skills and Techniques across the Mediterranean: Some Preliminary Remarks on Stucco in Italy and Byzantium / Import, Export: The Global Impact of Byzantine Marriage Alliances during the Tenth Century / Conclusion: Post-Colonial Reflections and the Challenge of Global Byzantium

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