Description

Book Synopsis
This book focuses on the notion of desire in late-nineteenth-century Italy, and how this notion shapes the life and works of two of Italy’s most prominent authors at that time, Giovanni Pascoli and Gabriele D’Annunzio. In the fin de siècle, the philosophical speculation on desire, inspired by Arthur Schopenhauer and Friedrich Nietzsche intersected the popularization of Charles Darwin’s theory of evolution. Within this context, desire is conceptualized as an obscure force and remnant of mankind’s animalistic origins. Both Pascoli and D’Annunzio put into play the drama of desire as a force splitting the unity of the characters in their works, and variously attempt to provide solutions to this haunting force within the human self.

Table of Contents
Dedication Acknowledgments Introduction Chapter 1: Desire in the Italian Fin de Siècle: Between Evolutionism and Aestheticism Chapter 2: Action or Contemplation? The Role of the Artist in Fin de Siècle Italy Chapter 3: Giovanni Pascoli’s Divine Comedy: a Poem of Desire Chapter 4: The Male Hero and the Evolution of Desire in D’Annunzio’s Novels Chapter 5: Giovanni Pascoli’s Poemi Conviviali and the Shipwreck of Desire Chapter 6: The Centaur of Modernity of the Body Without Desire Conclusion Bibliography

Giovanni Pascoli, Gabriele D’Annunzio, and the

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    A Hardback by Elena Borelli

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      Publisher: Fairleigh Dickinson University Press
      Publication Date: 30/03/2017
      ISBN13: 9781611479133, 978-1611479133
      ISBN10: 1611479134

      Description

      Book Synopsis
      This book focuses on the notion of desire in late-nineteenth-century Italy, and how this notion shapes the life and works of two of Italy’s most prominent authors at that time, Giovanni Pascoli and Gabriele D’Annunzio. In the fin de siècle, the philosophical speculation on desire, inspired by Arthur Schopenhauer and Friedrich Nietzsche intersected the popularization of Charles Darwin’s theory of evolution. Within this context, desire is conceptualized as an obscure force and remnant of mankind’s animalistic origins. Both Pascoli and D’Annunzio put into play the drama of desire as a force splitting the unity of the characters in their works, and variously attempt to provide solutions to this haunting force within the human self.

      Table of Contents
      Dedication Acknowledgments Introduction Chapter 1: Desire in the Italian Fin de Siècle: Between Evolutionism and Aestheticism Chapter 2: Action or Contemplation? The Role of the Artist in Fin de Siècle Italy Chapter 3: Giovanni Pascoli’s Divine Comedy: a Poem of Desire Chapter 4: The Male Hero and the Evolution of Desire in D’Annunzio’s Novels Chapter 5: Giovanni Pascoli’s Poemi Conviviali and the Shipwreck of Desire Chapter 6: The Centaur of Modernity of the Body Without Desire Conclusion Bibliography

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