Description
Book SynopsisGetting the Blues: Vision and Cognition in the Middle Ages is an interdisciplinary study of medieval color. By integrating scientific and literary approaches, it revises our current understanding of how people in medieval Europe experienced color and what it meant to them. This book insists that the past perception of the world can be recovered by joining timeless universal constraints on human experience (discovered by science) to the unique cultural expressions of that experience (revealed by literature).
The Middle Ages may evoke images of the multicolored stained glass of gothic cathedrals, the motley garb of minstrels, or the brilliant illuminations of manuscripts, yet such color often goes unnoticed in scholarly accounts of medieval literature. Getting the Blues restores some of the most important literary works of the Middle Ages to their full living color. Particular consideration is given to the twelfth-century Arthurian romances by Chrétien de Troyes
Table of Contents
List of Illustrations – Acknowledgements – Preface – Introduction: Color, Cognition, and Criticism – Part 1. Seeing Color – Thinking About Seeing, Fast and Slow – The Colors of Irony – Coda to Part 1: I See a Blityri! – Part 2. Naming Color – Britain’s Missing Shade of Blue – Blue Mythology – Coda to Part 2: Mood Bloi – Index.
