Description

Book Synopsis
From the 1960s drawing assumed a prominent position in the practice of a rising generation of post-war artists in Germany and Austria. This publication examines works on paper by four artists still comparatively little known in the UK. While Georg Baselitz and Gerhard Richter, household names in German contemporary art, are well known for their large and commanding works, a quieter and more reflective strand is found in the work of Rudi Tröger (b. 1929), Karl Bohrmann (19281998) and Carl-Heinz Wegert (19262007). Small and intimate in scale, their drawings focus on the abstracted, minimalist figure, the studio interior and landscapes, through a sensitive use of line and a spare, self-effacing gesturalism. By contrast, the Austrian actionist Hermann Nitsch (19382022) presents visceral depictions of the human anatomy in his large lithographs, which come out of his notorious actionist performances. This publication celebrates a second major gift to the British Museum from the German collec

Table of Contents
Foreword
Essay by John-Paul Stonard
Essay by Michael Semff
1. Rudi Tröger
2. Karl Bohrmann
3. Carl-Heinz Wegert
4. Hermann Nitsch
Select bibliography, Credits, Acknowledgements, Index

Gesture and line

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    A Hardback by Michael Semff, John-Paul Stonard

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      Publisher: British Museum Press
      Publication Date: 12/10/2023
      ISBN13: 9780714126975, 978-0714126975
      ISBN10: 0714126977

      Description

      Book Synopsis
      From the 1960s drawing assumed a prominent position in the practice of a rising generation of post-war artists in Germany and Austria. This publication examines works on paper by four artists still comparatively little known in the UK. While Georg Baselitz and Gerhard Richter, household names in German contemporary art, are well known for their large and commanding works, a quieter and more reflective strand is found in the work of Rudi Tröger (b. 1929), Karl Bohrmann (19281998) and Carl-Heinz Wegert (19262007). Small and intimate in scale, their drawings focus on the abstracted, minimalist figure, the studio interior and landscapes, through a sensitive use of line and a spare, self-effacing gesturalism. By contrast, the Austrian actionist Hermann Nitsch (19382022) presents visceral depictions of the human anatomy in his large lithographs, which come out of his notorious actionist performances. This publication celebrates a second major gift to the British Museum from the German collec

      Table of Contents
      Foreword
      Essay by John-Paul Stonard
      Essay by Michael Semff
      1. Rudi Tröger
      2. Karl Bohrmann
      3. Carl-Heinz Wegert
      4. Hermann Nitsch
      Select bibliography, Credits, Acknowledgements, Index

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