Description
Book SynopsisGerman Popular Cinema and the Rialto Krimi Phenomenon: Dark Eyes of London examines the Kriminalfilmeor Krimisbased on the novels of English author Edgar Wallace, released by Rialto Film between 1959 and 1972 as part of the post-World War II era of German popular cinema that enjoyed extraordinary popularity with the German public. Nicholas G. Schlegel analyzes how this group of West German thrillers not only nurtured a convalescing film industry, but also provided unequaled national entertainment, canonizing Rialto's Krimi productions in terms of their historical genesis, aesthetic characteristics, and social reception. Schlegel surveys the Krimi's enduring legacy, calculable global influence, inevitable decline, and eventual migration to television in the 1970s, where it thrived, but ultimately took on a more somber tone. Scholars of film, television, history, and German culture will find this book particularly useful.
Trade ReviewNicholas Schlegel’s highly enjoyable book provides an in-depth look at post-war German cinema’s most popular, but critically maligned, genre cycle. The book’s greatest achievement is that after reading the author’s engaging and enthusiastic account, you want to immediately return to viewing the films.
-- Tim Bergfelder, University of Southampton
This is a book I’ve dreamed of owning for some time: a history of the West German krimi film phenomenon of the 1960s, ‘70s, and ‘80s - in English, and from the pen of an obsessed writer armed with the facts and sharp critical thinking.
-- Tim Lucas, Editor of Video Watchdog
Even as formerly neglected genres of popular European cinema from the Italian western to French film noir are now getting their due, the distinctive German krimi—or crime thriller—is often overlooked. Fortunately, Nicholas Schlegel is on the case. In this book, he deftly traces the krimi’s roots in European culture, literature, and film, and offers an in-depth look at key examples of the genre, which was a mainstay of popular cinema across the pond in the mid-twentieth century. It is an indispensable guide for anyone interested in these stylish, pulpy, and highly entertaining whodunits.
-- Ian Olney, York College and author of Zombie Cinema
Table of ContentsAcknowledgments
Introduction
Part 1: History
- The Allied Occupation & The Federal Republic 1946–1959
Part 2: The Films
2. Krime in Chiaroscuro: 1959–1966
3. Krime in Single-Strip Color: 1966 – 1972
Part 3:
4. Conclusion: Krime Scene: The Krimi Autopsy
Selective Filmography
Bibliography
About the Author
