Description

Book Synopsis
A fascinating account of the life of one of the most famous women of the Victorian era. For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation. Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences. Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.

Table of Contents
Georgina Weldon's Archive and her Biographers Prologue 1: Georgina 2: Mayfield 3: Harry 4: Beaumaris 5: Friends and Relations 6: Discontent 7: Gwen 8: Gounod 9: Tavistock House 10: Maestro or Marionette 11: Loss 12: Separation 13: Orphans 14: Argueil 15: Mad-Doctors 16: Home Again 17: Rivière 18: Covent Garden 19: Disaster 20: Conjugal Rights 21: Revenge 22: The New Portia 23: Swings and Roundabouts 24: Holloway 25: Gower Street 26: Gisors 27: The Trehernes 28: A New Century 29: Sillwood House 30: Angel or Devil? Bibliography

Georgina Weldon: The Fearless Life of a Victorian

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    A Hardback by Joanna Martin

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      Publisher: Boydell & Brewer Ltd
      Publication Date: 21/05/2021
      ISBN13: 9781783275823, 978-1783275823
      ISBN10: 1783275820

      Description

      Book Synopsis
      A fascinating account of the life of one of the most famous women of the Victorian era. For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation. Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences. Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.

      Table of Contents
      Georgina Weldon's Archive and her Biographers Prologue 1: Georgina 2: Mayfield 3: Harry 4: Beaumaris 5: Friends and Relations 6: Discontent 7: Gwen 8: Gounod 9: Tavistock House 10: Maestro or Marionette 11: Loss 12: Separation 13: Orphans 14: Argueil 15: Mad-Doctors 16: Home Again 17: Rivière 18: Covent Garden 19: Disaster 20: Conjugal Rights 21: Revenge 22: The New Portia 23: Swings and Roundabouts 24: Holloway 25: Gower Street 26: Gisors 27: The Trehernes 28: A New Century 29: Sillwood House 30: Angel or Devil? Bibliography

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