Description

Book Synopsis

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art.

  • Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century
  • Advances an original perspective on Britain's role in the 2003 invasion and subsequent occupation of Iraq
  • Maps out new ways of thinking about geopolitical events through art
  • Examines the work of artists, curators and activists in light of Britain's role as a colonial power in Iraq and the importance of oil
  • Reflects on the significance, limits and dilemmas of art as a form of critical intervention
  • Questions the implications of art in colonialism and modernity


Table of Contents

List of Figures vi

Series Editor’s Preface vii

Acknowledgements viii

1 Introduction 1

2 Thinking Geopolitics Through the Event 16

3 Artworks as Evental Assemblages 35

4 Geopolitics at the Museum 57

5 Iraq Beyond Iraq 89

6 Geopolitical Aesthetics of Oil 117

7 Photomontage as Geopolitical Form 140

8 Geopolitical Bodies 163

9 Conclusions 188

References 196

Index 216

Geopolitics and the Event

    Product form

    £54.00

    Includes FREE delivery

    RRP £60.00 – you save £6.00 (10%)

    Order before 4pm tomorrow for delivery by Fri 31 Jul 2026.

    A Hardback by Alan Ingram

    3 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Geopolitics and the Event by Alan Ingram

      Publisher: John Wiley & Sons Inc
      Publication Date: Publication Date: 16/08/2019
      ISBN13: 9781119426004, 978-1119426004
      ISBN10: 1119426006
      Also in:
      Society and culture: general

      Description

      Book Synopsis

      An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art.

      • Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century
      • Advances an original perspective on Britain's role in the 2003 invasion and subsequent occupation of Iraq
      • Maps out new ways of thinking about geopolitical events through art
      • Examines the work of artists, curators and activists in light of Britain's role as a colonial power in Iraq and the importance of oil
      • Reflects on the significance, limits and dilemmas of art as a form of critical intervention
      • Questions the implications of art in colonialism and modernity


      Table of Contents

      List of Figures vi

      Series Editor’s Preface vii

      Acknowledgements viii

      1 Introduction 1

      2 Thinking Geopolitics Through the Event 16

      3 Artworks as Evental Assemblages 35

      4 Geopolitics at the Museum 57

      5 Iraq Beyond Iraq 89

      6 Geopolitical Aesthetics of Oil 117

      7 Photomontage as Geopolitical Form 140

      8 Geopolitical Bodies 163

      9 Conclusions 188

      References 196

      Index 216

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account