Description

Book Synopsis
Mar Soria presents an innovative cultural analysis of female workers in Spanish literature and films. Drawing from nation-building theories, the work of feminist geographers, and ideas about the construction of the marginal subject in society, Soria examines how working women were perceived as Other in Spain from 1880 to 1975. By studying the representation of these marginalized individuals in a diverse array of cultural artifacts, Soria contends that urban women workers symbolized the desires and anxieties of a nation caught between traditional values and rapidly shifting socioeconomic forces. Specifically, the representation of urban female work became a mode of reinforcing and contesting dominant discourses of gender, class, space, and nationhood in critical moments after 1880, when social and economic upheavals resulted in fears of impending national instability. Through these cultural artifacts Spaniards wrestled with the unresolved contradictions in the gender and class ideol

Trade Review
“Highly significant and unique. . . . This study certainly will make an important contribution to the field. To date no similar studies have so exhaustively addressed how the working woman became a pivotal and contested figure during Spain’s long and uneven path toward modernization.”—Juli Highfill, author of Modernism and Its Merchandise: The Spanish Avant-Garde and Material Culture, 1920–1930
“This excellent book revitalizes readings of familiar authors such as Emilia Pardo Bazán and Carmen Martín Gaite through a new lens . . . and it introduces us to some lesser-known authors. . . . Thoroughly researched, theoretically sophisticated, and well argued, this book is an important contribution to our understanding of late nineteenth- and twentieth-century Spanish society and fiction.”—Roberta Johnson, author of Major Concepts in Spanish Feminist Theory

Table of Contents
Acknowledgments
Introduction: Dismantling the Myth of Female Domesticity
1. The Castiza Working Woman: Regeneracionismo in Género Chico
2. Homebound Workers: The Reconfiguration of Bourgeois Domestic Space in Realism
3. Commodifying the Nation: The Store and the Shopgirl in Avant-Garde Literature
4. Working for Change during the Second Republic: A New Woman for the Nation in Conservative and Left-Wing Literature
5. Back Home? Counterdiscourses of Female Labor and Nationhood in Postwar Women’s Short Fiction
6. Spanish Women Are Different: Cinematic Anxieties of Female Work in Late Francoism 000
Epilogue: The Story Is Not Over
Notes
References
Index

Geographies of Urban Female Labor and Nationhood

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    A Hardback by Mar Soria

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      Publisher: University of Nebraska Press
      Publication Date: 01/05/2020
      ISBN13: 9781496217660, 978-1496217660
      ISBN10: 1496217667

      Description

      Book Synopsis
      Mar Soria presents an innovative cultural analysis of female workers in Spanish literature and films. Drawing from nation-building theories, the work of feminist geographers, and ideas about the construction of the marginal subject in society, Soria examines how working women were perceived as Other in Spain from 1880 to 1975. By studying the representation of these marginalized individuals in a diverse array of cultural artifacts, Soria contends that urban women workers symbolized the desires and anxieties of a nation caught between traditional values and rapidly shifting socioeconomic forces. Specifically, the representation of urban female work became a mode of reinforcing and contesting dominant discourses of gender, class, space, and nationhood in critical moments after 1880, when social and economic upheavals resulted in fears of impending national instability. Through these cultural artifacts Spaniards wrestled with the unresolved contradictions in the gender and class ideol

      Trade Review
      “Highly significant and unique. . . . This study certainly will make an important contribution to the field. To date no similar studies have so exhaustively addressed how the working woman became a pivotal and contested figure during Spain’s long and uneven path toward modernization.”—Juli Highfill, author of Modernism and Its Merchandise: The Spanish Avant-Garde and Material Culture, 1920–1930
      “This excellent book revitalizes readings of familiar authors such as Emilia Pardo Bazán and Carmen Martín Gaite through a new lens . . . and it introduces us to some lesser-known authors. . . . Thoroughly researched, theoretically sophisticated, and well argued, this book is an important contribution to our understanding of late nineteenth- and twentieth-century Spanish society and fiction.”—Roberta Johnson, author of Major Concepts in Spanish Feminist Theory

      Table of Contents
      Acknowledgments
      Introduction: Dismantling the Myth of Female Domesticity
      1. The Castiza Working Woman: Regeneracionismo in Género Chico
      2. Homebound Workers: The Reconfiguration of Bourgeois Domestic Space in Realism
      3. Commodifying the Nation: The Store and the Shopgirl in Avant-Garde Literature
      4. Working for Change during the Second Republic: A New Woman for the Nation in Conservative and Left-Wing Literature
      5. Back Home? Counterdiscourses of Female Labor and Nationhood in Postwar Women’s Short Fiction
      6. Spanish Women Are Different: Cinematic Anxieties of Female Work in Late Francoism 000
      Epilogue: The Story Is Not Over
      Notes
      References
      Index

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