Description

Book Synopsis

Over the course of her career, Elizabeth Robertson has pursued innovative scholarship that investigates the overlapping domains of medieval philosophy, literature, and gender studies. This collection of essays dedicated to her work examines gender in medieval English writing along several axes: poetic, philosophical, material-textual, and historical. Gender, Poetry, and the Form of Thought in Later Medieval Literature focuses on the ways that the medieval body becomes a site of inquiry and agency, whether in the form of the idealized feminine body of secular and religious lyric, the sexually permissive and permeable body of fabliaux, or the intercessory body of religious devotional writing. This collection asks, how do imagined bodies frame literary explorations of philosophical categories such as nature, the will, and emotion? What can accounts of specific historical medieval women—as authors, patrons, interlocutors—tell us about such representations? In what ways do devotional practices and texts intersect with the representations of gender? The essays span a broad range of medieval literary works, from the lais of Marie de France to Pearl to Piers Plowman and the poetry of Geoffrey Chaucer, and a broad range of methodological approaches, from philosophy to affect and manuscript studies.



Table of Contents

Introduction: The Form of Thought

Jennifer Jahner (Caltech) and Ingrid Nelson (Amherst College)

Part 1: Form and Knowing

  1. Chaucerian Insomnia and the Hospitality of Sleeplessness in Late Medieval Dream Visions

Jamie Taylor (Bryn Mawr College)

  1. Cloudy Thoughts: Cognition and Affect in Troilus and Criseyde

Stephanie Trigg (University of Melbourne)

  1. Voluntarism and the Self in Piers Plowman

Robert Pasnau (University of Colorado, Boulder)

  1. Margery Kempe and the Paradoxical Presence of God

Kate Crassons (Lehigh University)

Part 2: Material Poetics

  1. Both ‘Gostly Sense’ and ‘Amerouse Sentensce’: The Nightingale’s Resurrection as Hybrid Text

Amy N. Vines (University of North Carolina, Greensboro)

  1. Middle English Verse Acrostics: A Survey

Julia Boffey (Queen Mary University) and A.S.G. Edwards (University of Kent)

  1. The Landscapes of Pearl: Poetry and Theology

Ad Putter (University of Bristol)

Part 3: Historicizing Gender

  1. Disrupting Medieval Marriage in Anglo-Norman Women’s Writing: Clemence Barking’s Vie de Sainte Catherine, Marie’s Life of Saint Audrey and Marie de France’s Eliduc

Roberta Krueger (Hamilton College)

  1. Three Medieval Visitors to Rome and the Women They Found There

C. David Benson (University of Connecticut, Storrs, emeritus) and Pamela J. Benson (University of Connecticut, Storrs, emerita)

  1. The Anagogic Wife of Bath

James Simpson (Harvard University)

Gender, Poetry, and the Form of Thought in Later

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    A Hardback by Jennifer Jahner, Ingrid Nelson, C. David Benson

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      View other formats and editions of Gender, Poetry, and the Form of Thought in Later by Jennifer Jahner

      Publisher: Lehigh University Press
      Publication Date: 09/02/2022
      ISBN13: 9781611463323, 978-1611463323
      ISBN10: 1611463327

      Description

      Book Synopsis

      Over the course of her career, Elizabeth Robertson has pursued innovative scholarship that investigates the overlapping domains of medieval philosophy, literature, and gender studies. This collection of essays dedicated to her work examines gender in medieval English writing along several axes: poetic, philosophical, material-textual, and historical. Gender, Poetry, and the Form of Thought in Later Medieval Literature focuses on the ways that the medieval body becomes a site of inquiry and agency, whether in the form of the idealized feminine body of secular and religious lyric, the sexually permissive and permeable body of fabliaux, or the intercessory body of religious devotional writing. This collection asks, how do imagined bodies frame literary explorations of philosophical categories such as nature, the will, and emotion? What can accounts of specific historical medieval women—as authors, patrons, interlocutors—tell us about such representations? In what ways do devotional practices and texts intersect with the representations of gender? The essays span a broad range of medieval literary works, from the lais of Marie de France to Pearl to Piers Plowman and the poetry of Geoffrey Chaucer, and a broad range of methodological approaches, from philosophy to affect and manuscript studies.



      Table of Contents

      Introduction: The Form of Thought

      Jennifer Jahner (Caltech) and Ingrid Nelson (Amherst College)

      Part 1: Form and Knowing

      1. Chaucerian Insomnia and the Hospitality of Sleeplessness in Late Medieval Dream Visions

      Jamie Taylor (Bryn Mawr College)

      1. Cloudy Thoughts: Cognition and Affect in Troilus and Criseyde

      Stephanie Trigg (University of Melbourne)

      1. Voluntarism and the Self in Piers Plowman

      Robert Pasnau (University of Colorado, Boulder)

      1. Margery Kempe and the Paradoxical Presence of God

      Kate Crassons (Lehigh University)

      Part 2: Material Poetics

      1. Both ‘Gostly Sense’ and ‘Amerouse Sentensce’: The Nightingale’s Resurrection as Hybrid Text

      Amy N. Vines (University of North Carolina, Greensboro)

      1. Middle English Verse Acrostics: A Survey

      Julia Boffey (Queen Mary University) and A.S.G. Edwards (University of Kent)

      1. The Landscapes of Pearl: Poetry and Theology

      Ad Putter (University of Bristol)

      Part 3: Historicizing Gender

      1. Disrupting Medieval Marriage in Anglo-Norman Women’s Writing: Clemence Barking’s Vie de Sainte Catherine, Marie’s Life of Saint Audrey and Marie de France’s Eliduc

      Roberta Krueger (Hamilton College)

      1. Three Medieval Visitors to Rome and the Women They Found There

      C. David Benson (University of Connecticut, Storrs, emeritus) and Pamela J. Benson (University of Connecticut, Storrs, emerita)

      1. The Anagogic Wife of Bath

      James Simpson (Harvard University)

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