Description

The present volume examines Judith Butler?s concept of gender performance in Angela Carter?s _Nights at the Circus_ (1984), Sarah Waters?s _Tipping the Velvet_ (1998) and Peter Ackroyd?s _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy.

Gender performance and spatial negotiation in the NeoVictorian novel

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by Lin Elinor Petterson

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The present volume examines Judith Butler?s concept of gender performance in Angela Carter?s _Nights at the Circus_ (1984), Sarah Waters?s... Read more

    Publisher: Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga
    Publication Date: 7/1/2014
    ISBN13: 9788497477437, 978-8497477437
    ISBN10: 849747743X

    Description

    The present volume examines Judith Butler?s concept of gender performance in Angela Carter?s _Nights at the Circus_ (1984), Sarah Waters?s _Tipping the Velvet_ (1998) and Peter Ackroyd?s _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy.

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