Description
Book SynopsisFor over four decades, scholars have been investigating male dominance - both symbolically and numerically -within popular music. The heavier genres of popular music, metal music in particular, have been male dominated spaces, which are difficult to navigate for women participating as fans, musicians, or both. Studies on gender inequality in metal music have convincingly demonstrated how gender dynamics shape the reception of metal music and metal scenes all over the globe. Yet, they shed relatively little light on the extent of and reasons for metal music's male domination from a production perspective. This book fills this gap, offering is a systematic and large-scale overview of gender inequality in metal music production. In other words: how many women - compared to men - are participating in metal bands and what are the causes for the differences in participation?
Trade ReviewDrawing on the online Encyclopaedia Metallum: The Metal Archives, interviews, and online materials and interviews by others, the authors investigate how many women are involved in metal music production and the extent of gender inequality in the genre, looking at longitudinal trends and cross-national differences, subgenres within metal, roles in terms of instrumentation, and the degree of recognition between female and male musicians. They develop the concept of gender as a double-edged sword, in which women attract attention for their bands but are often evaluated based on their feminine appearance rather than musical skills, by linking it to theories of tokenism and cultural/structural embeddedness, and provide a theoretical overview to explain gender inequality in metal music production by examining the practices of learning, doing, and evaluating at the levels of society, pop music, and metal. -- Annotation ©2018 * (protoview.com) *
“Groundbreaking” –
Metal Rules"provides much needed quantitative data on gender inequality in metal music production as well as qualitative and interview data" -
Gender & SocietyTable of ContentsIntroduction: Gender Inequality in Metal Music Production 1. Winds of Change? Longitudinal trends and cross-national differences; (co-authored with Frank Weij) 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres 3. All Vocals, Few Chords: Gender Differences in Instrumentation 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers Conclusion Appendix 1: Quantitative Data - The Metal Archives Appendix 2: Qualitative Data - Interviews with Metal Musicians
