Description

Book Synopsis

Garden of Silica is the first poetry anthology of the Uruguayan Ida Vitale to appear in English, spanning eight books published from 1960 to the present. Vitale is one of the fundamental voices of Latin American literature, and her work also encompasses essays, short stories, journalism, and translation. She belongs to Uruguay's Critical Generation of the 1940s, whose mission was the construction of a participative intellectual subject. Vitale's poetry illustrates the incompatibility of the construction of that intellectual subject and realism. It is not the case of an idealist aesthetic that denies the existence of objective reality or offers only a testimony of individuality. Rather, these texts seek a balance between subjectivity and objectivity, and accordingly the private and the public. In addition, with a revealing gesture of feminist undertones, intellectual capacity is privileged above that of sentimentality. As a result, Vitale's message is implicit, requiring an active reader, one involved in the very process of creation. Placing the intellectual subject at the forefront, and thus relegating the national and the feminine to a second plane, Ida Vitale's poetry offers one of the most profound and provocative representations of women's subjectivity in the Spanish language.



Table of Contents
  • Acknowledgements
  • Ida Vitale or the Brilliances of the Intellectual Subject
  • FROM EACH IN HIS NIGHT
  • This World
  • Daily Obligations
  • FROM LISTENER ERRANT
  • Queen Sphinx
  • Pallid Signs
  • One Chooses
  • Recreational
  • Backroom
  • FROM GARDEN OF SILICA
  • Tracing through Transparency
  • Natural Fortunes
  • Distance’s Square
  • Summer
  • Against Time
  • Past’s Liquid
  • The Dervish’s Answer
  • Perspective
  • Homage to Magritte
  • Nocturnal Wheel
  • The Hunt, Infinite?
  • Psalm
  • Star’s Passage
  • Confirmation of Shadow
  • At the Speed of Fear
  • The Blind Machine
  • Alameda
  • Garden of Silica
  • Zoon Politikon
  • FROM DREAMS OF CONSTANCY
  • Style
  • Justice
  • Composition with Symbols
  • Residue
  • Chaos
  • Efrain’s Burial
  • Destiny
  • Rest
  • Story
  • FROM SEARCH FOR THE IMPOSSIBLE
  • Moth, Poem
  • Hummingbird
  • Rivers
  • Houses
  • The Day, A Labyrinth
  • Destinies
  • Midday Demon
  • Equation
  • Scarcely Concert
  • Small Kingdom
  • The Dark Table
  • I
  • II
  • III
  • Exiles
  • Still Canto
  • Cocoon
  • To Burn, To Quiet
  • The Lie
  • The Injured Man’s Greeting
  • Botanica
  • Laurels
  • San Miniato
  • FROM REDUCTION OF THE INfiNITE
  • Parenthesis, Fragile Home
  • Culture of Palimpsest
  • Sums
  • Slow Obstacles
  • Salamanders’ Mail
  • Annunciation
  • The Glory of Philitis
  • To Arms
  • Order of Angels
  • Lunatic Solo, Legitimate Isolation
  • 3
  • 4
  • FROM BYOBU’S ABCS
  • A Story
  • Very Platonic Love
  • Knots
  • Anguish
  • FROM TREMA
  • Task
  • Calculated Error
  • Arrows
  • Last Night of Some Year
  • On the Back of the Sky
  • The Visible God
  • If Blind
  • No Saga
  • Fortune
  • The Street
  • Bogota, 2001
  • New Certainties
  • Merry-Go-Round
  • Courtesies
  • Riches
  • On the Dark Porch
  • Return Trip
  • Perhaps an Explanation
  • Milan Cafe
  • Closing
  • Mining the Wall
  • Gratitude

Garden of Silica

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    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Paperback by Ida Vitale, Katherine M. Hedeen, Víctor Rodríguez-Núñez

    15 in stock

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      Publisher: Salt Publishing
      Publication Date: 06/01/2010
      ISBN13: 9781844714650, 978-1844714650
      ISBN10: 1844714659

      Description

      Book Synopsis

      Garden of Silica is the first poetry anthology of the Uruguayan Ida Vitale to appear in English, spanning eight books published from 1960 to the present. Vitale is one of the fundamental voices of Latin American literature, and her work also encompasses essays, short stories, journalism, and translation. She belongs to Uruguay's Critical Generation of the 1940s, whose mission was the construction of a participative intellectual subject. Vitale's poetry illustrates the incompatibility of the construction of that intellectual subject and realism. It is not the case of an idealist aesthetic that denies the existence of objective reality or offers only a testimony of individuality. Rather, these texts seek a balance between subjectivity and objectivity, and accordingly the private and the public. In addition, with a revealing gesture of feminist undertones, intellectual capacity is privileged above that of sentimentality. As a result, Vitale's message is implicit, requiring an active reader, one involved in the very process of creation. Placing the intellectual subject at the forefront, and thus relegating the national and the feminine to a second plane, Ida Vitale's poetry offers one of the most profound and provocative representations of women's subjectivity in the Spanish language.



      Table of Contents
      • Acknowledgements
      • Ida Vitale or the Brilliances of the Intellectual Subject
      • FROM EACH IN HIS NIGHT
      • This World
      • Daily Obligations
      • FROM LISTENER ERRANT
      • Queen Sphinx
      • Pallid Signs
      • One Chooses
      • Recreational
      • Backroom
      • FROM GARDEN OF SILICA
      • Tracing through Transparency
      • Natural Fortunes
      • Distance’s Square
      • Summer
      • Against Time
      • Past’s Liquid
      • The Dervish’s Answer
      • Perspective
      • Homage to Magritte
      • Nocturnal Wheel
      • The Hunt, Infinite?
      • Psalm
      • Star’s Passage
      • Confirmation of Shadow
      • At the Speed of Fear
      • The Blind Machine
      • Alameda
      • Garden of Silica
      • Zoon Politikon
      • FROM DREAMS OF CONSTANCY
      • Style
      • Justice
      • Composition with Symbols
      • Residue
      • Chaos
      • Efrain’s Burial
      • Destiny
      • Rest
      • Story
      • FROM SEARCH FOR THE IMPOSSIBLE
      • Moth, Poem
      • Hummingbird
      • Rivers
      • Houses
      • The Day, A Labyrinth
      • Destinies
      • Midday Demon
      • Equation
      • Scarcely Concert
      • Small Kingdom
      • The Dark Table
      • I
      • II
      • III
      • Exiles
      • Still Canto
      • Cocoon
      • To Burn, To Quiet
      • The Lie
      • The Injured Man’s Greeting
      • Botanica
      • Laurels
      • San Miniato
      • FROM REDUCTION OF THE INfiNITE
      • Parenthesis, Fragile Home
      • Culture of Palimpsest
      • Sums
      • Slow Obstacles
      • Salamanders’ Mail
      • Annunciation
      • The Glory of Philitis
      • To Arms
      • Order of Angels
      • Lunatic Solo, Legitimate Isolation
      • 3
      • 4
      • FROM BYOBU’S ABCS
      • A Story
      • Very Platonic Love
      • Knots
      • Anguish
      • FROM TREMA
      • Task
      • Calculated Error
      • Arrows
      • Last Night of Some Year
      • On the Back of the Sky
      • The Visible God
      • If Blind
      • No Saga
      • Fortune
      • The Street
      • Bogota, 2001
      • New Certainties
      • Merry-Go-Round
      • Courtesies
      • Riches
      • On the Dark Porch
      • Return Trip
      • Perhaps an Explanation
      • Milan Cafe
      • Closing
      • Mining the Wall
      • Gratitude

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