Description

Book Synopsis


Trade Review
"Kristin Romberg delivers an earth-shattering reevaluation of the Russian constructivist discipline of tectonics in her new biography of the art movement’s leading agit-man, Aleksei Gan. . . she has written such a tectonically textured testament to Gan—a book that attempts to synthetically respond to the demands of other fields external to history or Slavic studies—as might have made its protagonist proud." * H-Net *
"Devotedly and dauntingly researched (ten archives combed, no page unturned, every typeface identified by font and size), convincingly argued and eloquently written." -- Yuri Tsivian, * Russian Review *
"Romberg’s book illuminates the past but is oriented toward the future. It exemplifies a participatory, rather than receptive, mode for critical writing. Most importantly, it recalibrates the reader’s assumptions about the history of Constructivism, who makes it, and how it can be written." * ARTMargins *
"What is particularly noteworthy in Romberg’s account . . . is an awareness that no discussion of the Constructivist object is complete without considering, first, the changed material and social conditions for its production, including a new conceptualization of artistic labor; and, second, without allowing for its status as art, even where that term must no longer be understood, bourgeoisie-style, in terms of representation or institution." * Art Journal *

Table of Contents
Acknowledgments

Introduction. Embedded Aesthetics and
Situated History

1. Critical Masses: Mass Action and the Prehistory of
Russian Constructivism

GAN’S CONSTRUCTIVISM

2. Gan’s Constructivism: Aesthetic Theory for an
Embedded Modernism
3. Constructivist Tectonics and the Wegenerian
Revolution
4. The Typographic and Tectonic Conditions of Gan’s
Constructivism

GAN’S PRODUCTIVISM

5. The Communist City: The Total Work of the
Constructivist Object
6. The Communist City, Side B: Montage and the Concrete
Human Character
7. Art in the Battle for Time: Cinematic Realism and the
Rationalization of Labor

Abbreviations for Archival Sources
Notes
List of Illustrations
Index

Gans Constructivism Aesthetic Theory for an

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    A Hardback by Kristin Romberg

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      Publisher: University of California Press
      Publication Date: 22/01/2019
      ISBN13: 9780520298538, 978-0520298538
      ISBN10: 0520298535
      Also in:
      History of art

      Description

      Book Synopsis


      Trade Review
      "Kristin Romberg delivers an earth-shattering reevaluation of the Russian constructivist discipline of tectonics in her new biography of the art movement’s leading agit-man, Aleksei Gan. . . she has written such a tectonically textured testament to Gan—a book that attempts to synthetically respond to the demands of other fields external to history or Slavic studies—as might have made its protagonist proud." * H-Net *
      "Devotedly and dauntingly researched (ten archives combed, no page unturned, every typeface identified by font and size), convincingly argued and eloquently written." -- Yuri Tsivian, * Russian Review *
      "Romberg’s book illuminates the past but is oriented toward the future. It exemplifies a participatory, rather than receptive, mode for critical writing. Most importantly, it recalibrates the reader’s assumptions about the history of Constructivism, who makes it, and how it can be written." * ARTMargins *
      "What is particularly noteworthy in Romberg’s account . . . is an awareness that no discussion of the Constructivist object is complete without considering, first, the changed material and social conditions for its production, including a new conceptualization of artistic labor; and, second, without allowing for its status as art, even where that term must no longer be understood, bourgeoisie-style, in terms of representation or institution." * Art Journal *

      Table of Contents
      Acknowledgments

      Introduction. Embedded Aesthetics and
      Situated History

      1. Critical Masses: Mass Action and the Prehistory of
      Russian Constructivism

      GAN’S CONSTRUCTIVISM

      2. Gan’s Constructivism: Aesthetic Theory for an
      Embedded Modernism
      3. Constructivist Tectonics and the Wegenerian
      Revolution
      4. The Typographic and Tectonic Conditions of Gan’s
      Constructivism

      GAN’S PRODUCTIVISM

      5. The Communist City: The Total Work of the
      Constructivist Object
      6. The Communist City, Side B: Montage and the Concrete
      Human Character
      7. Art in the Battle for Time: Cinematic Realism and the
      Rationalization of Labor

      Abbreviations for Archival Sources
      Notes
      List of Illustrations
      Index

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