Description

Book Synopsis
Shortlisted for the 2020 Wales Poetry Book of the Year. Fur Coats in Tahiti is a cocktail of borrowed forms and modes from Dada, Surrealism, Fluxus, the OuLiPo, the Vienna Group and the New York school. There are scissor snips and slips of the tongue and eye in a sequence of word and image compositions derived from an Edwardian illustrated dictionary. Elsewhere there are childlike, and plain childish, oral and aural pleasures to be had with bananas, cherries and Slobodan Zivojinovic; tahini and Petroc Trelawny. The book begins with 'O', an openmouthed astonishment at nativity, and ends, not with Z but, in the hope of further connection, with the twenty-seventh letter of the alphabet: '&'.

Trade Review
'These poems rollick as they explore relationships between sound and sense, interweave the surreal and the mundane, and conduct whimsical, unpredictable journeys. The work teems with intelligence and delight.' - Carrie Etter; 'Over's is a poetry of endless curiosity and intellectual generosity... The long poems and sequences capture a quality of musical improvisation, but the attention is pulled back, again and again, by unexpected lyrical detail; as if distraction (by beauty, by stupidity, by wonder) were the only true method. And it is.' - Luke Kennard; 'Joyous panoplies of alphabets warble, blossom and assemble into word songs made simultaneously Stately and playful... Slip on this luxurious garment of a book where the language weather is always perfect.' - Lee Ann Brown

Fur Coats in Tahiti

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    £9.99

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    Order before 4pm today for delivery by Mon 3 Aug 2026.

    A Paperback / softback by Jeremy Over

    20 in stock

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      Publisher: Carcanet Press Ltd
      Publication Date: Publication Date: 25/07/2019
      ISBN13: 9781784107635, 978-1784107635
      ISBN10: 1784107638

      Description

      Book Synopsis
      Shortlisted for the 2020 Wales Poetry Book of the Year. Fur Coats in Tahiti is a cocktail of borrowed forms and modes from Dada, Surrealism, Fluxus, the OuLiPo, the Vienna Group and the New York school. There are scissor snips and slips of the tongue and eye in a sequence of word and image compositions derived from an Edwardian illustrated dictionary. Elsewhere there are childlike, and plain childish, oral and aural pleasures to be had with bananas, cherries and Slobodan Zivojinovic; tahini and Petroc Trelawny. The book begins with 'O', an openmouthed astonishment at nativity, and ends, not with Z but, in the hope of further connection, with the twenty-seventh letter of the alphabet: '&'.

      Trade Review
      'These poems rollick as they explore relationships between sound and sense, interweave the surreal and the mundane, and conduct whimsical, unpredictable journeys. The work teems with intelligence and delight.' - Carrie Etter; 'Over's is a poetry of endless curiosity and intellectual generosity... The long poems and sequences capture a quality of musical improvisation, but the attention is pulled back, again and again, by unexpected lyrical detail; as if distraction (by beauty, by stupidity, by wonder) were the only true method. And it is.' - Luke Kennard; 'Joyous panoplies of alphabets warble, blossom and assemble into word songs made simultaneously Stately and playful... Slip on this luxurious garment of a book where the language weather is always perfect.' - Lee Ann Brown

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