Description

Book Synopsis
Funny Moves: Dance Humor Politics explores the intersection of dance and humor and the political stakes that bodies incur when they dare to be both aestheticized and funny. The editors posit that funny moves are dance''s Other--the missteps or oversteps that don''t fit a particular dance form. Funniness in dance, whether gleeful, surprising, or odd, causes disruptions which may be progressive or conservative, inciting pleasures that counterbalance the artform''s often serious codes.Writing from Latin America, the Caribbean, South Asia, Europe, and the United States, the book''s ten authors provide diverse observational techniques and creative vocabularies for finding, analyzing, and theorizing funny moves across dance forms, dance scenes, and dance screens. Some of the authors find hope in the laughter of their artist subjects and their audiences, and some linger in the ambiguity and confusion so created. Each essay takes on a single surprise factor or a choreographic comic rupture, relishing in the amassed effects or affects across an absurdist cinematic, staged, or quotidian sequence. What is funny in each case pops up as a wildcard that evokes recognizable shared experiences, sometimes pushing back against dominant or mainstream logic and its supremacist laughter.

Funny Moves

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Order before 4pm tomorrow for delivery by Thu 18 Dec 2025.

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    Publisher: Oxford University Press Inc
    Publication Date: 5/26/2025
    ISBN13: 9780197765777, 978-0197765777
    ISBN10: 0197765777
    Also in:
    Folk dancing

    Description

    Book Synopsis
    Funny Moves: Dance Humor Politics explores the intersection of dance and humor and the political stakes that bodies incur when they dare to be both aestheticized and funny. The editors posit that funny moves are dance''s Other--the missteps or oversteps that don''t fit a particular dance form. Funniness in dance, whether gleeful, surprising, or odd, causes disruptions which may be progressive or conservative, inciting pleasures that counterbalance the artform''s often serious codes.Writing from Latin America, the Caribbean, South Asia, Europe, and the United States, the book''s ten authors provide diverse observational techniques and creative vocabularies for finding, analyzing, and theorizing funny moves across dance forms, dance scenes, and dance screens. Some of the authors find hope in the laughter of their artist subjects and their audiences, and some linger in the ambiguity and confusion so created. Each essay takes on a single surprise factor or a choreographic comic rupture, relishing in the amassed effects or affects across an absurdist cinematic, staged, or quotidian sequence. What is funny in each case pops up as a wildcard that evokes recognizable shared experiences, sometimes pushing back against dominant or mainstream logic and its supremacist laughter.

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