Description
Book SynopsisCLOSE YOUR EYES
I invite you to imagine a plan for a new and better society where everything is very coherent and makes a lot of sense and nothing is confusing or awful
OPEN YOUR EYES
No need to imagine. Here is the plan. The plan is illustrated. The plan is quite complicated. But not too complicated. I think you will be thrilled by it. I am certain you will be thrilled by it.
No need to read massive volumes or use the internet
JUST READ THIS
ONLY THIS
Trade ReviewMaster of all things darkly comic . . . An excellent new book [
Fully Coherent Plan]
features 254 new illustrations, all drawn in his distinctive thick black pen on stark white paper, the naivety of the image offset by the scabrous, surreal or darkly comic text * * Observer * *
For all the uneasy peculiarity of the drawings, they often capture something fundamental about the human condition . . . His mordant humour has never felt more attuned to the age . . . His world is known to us now. But he continues to invert power structures, prick egos and salute the everyday magnificently -- Leaf Arbuthnot * * Times Literary Supplement * *
Concerned about the breakdown of society? Fear not: David Shrigley has a plan . . . Shrigley points politely towards the ridiculous and arbitrary nature of the societal strictures by which we all abide and from which he seems so blissfully free * * Esquire * *
One of the Turner Prize nominee's greatest abilities as an artist is to create resoundingly funny work while also offering wry political commentary, in a fashion that is so thoroughly bizarre that it never fails to surprise . . . Shrigley's world has something to offer everyone * * Elephant * *
David Shrigley is probably the funniest gallery-type artist who ever lived -- DAVE EGGERS
Shrigley's darkly funny illustrations reflect our surreal and disquieting times * * The Big Issue * *
One of the cleverest, funniest conceptual artists . . . Genius * * Guardian * *
PRAISE FOR DAVID SHRIGLEY: The best gift book, for a crazy person you really, really like * * New York Times * *
With a casual gesture Shrigley points to that hideous shape whose name I've never known - and then he names it. And the name is profoundly, embarrassingly familiar. I'm laughing while frantically searching for a pen, so desperate to capture the feeling he has unearthed in me -- MIRANDA JULY
On the kink of his line Shrigley can shift effortlessly from pathos to paranoia. And his work is funny - very funny; his timing devastatingly effective -- WILL SELF
