Description

Book Synopsis
Winner of the Sillerman First Book Prize for African Poets, Ethiopian American Mahtem Shiferraw’s Fuchsia examines conceptions of the displaced, disassembled, and nomadic self. Embedded in her poems are colours, elements, and sensations that evoke painful memories related to deep-seated remnants of trauma, war, and diaspora.

Trade Review
Fuchsia, culled from robust life and a finely tuned imagination, captures mysteries of the heart and mind alongside everyday rituals. Each poem dares us line by line, and suddenly we’re inside the delicate mechanism of a deep song. The magical, raw, bittersweet duende of Fuchsia speaks boldly. The personal history and emotional architecture of Ethiopia and Eritrea reside in every portentous poem here. But the stories, each shaped and textured by true feeling, are also ours because they beckon to us.”—Yusef Komunyakaa, author of The Emperor of Water Clocks


“In sometimes startlingly precise, and always musical, language, Shiferraw writes of her childhood in Ethiopia and of her contemporary life in Los Angeles with clarity, insight, and courage. Whether she is writing about butchering a sheep, uncles disappearing, a mother’s mystical definition of self, of war, of poverty, of Kalashnikovs, or of hair, the words on these pages ‘rummage’ until they explode—into beauty.”—Gail Wronsky, author of the poetry collection So Quick Bright Things

“These poems are always informed with a bittersweet sense of exile, of witness, and of a properly ambivalent stance toward the bewildering consumerist culture in which the writer now finds herself. Yet Shiferraw’s poetry is also suffused with wonder—richly associative, Whitmanic in its linguistic energy and totally complex, shifting without warning from wit to gravity, from self-reflection to lyric abandon. Fuchsia is a richly promising debut.”—David Wojahn, author of World Tree


“Color weaves through the collection, but in ‘Synesthesia,’ colors shoot up like flares to illuminate the trauma of fleeing home. . . . Gifted with synesthesia, the poet knows the world through color. Through her complex use of color, Shiferraw reveals home, made again through the action of memory, lending heartache, depth, and comfort to our lives.”—Mary Catherine Ford, World Literature Today

“[Fuchsia] is deeply sensual: full of color, sense memories, and small details of life.”—Alex Dueben, The Rumpus


Table of Contents
Foreword by Kwame Dawes
Acknowledgments
Fuchsia
Origins & Intersections
E is for Eden
How to Peel Cactus Fruit
Something Sleeps in the Mud Beds of the Nile
Twenty Questions for Your Mother
While Weeping (Broadway & 5th)
The Monster
Talks about Race
Sleeping with Hyenas
She says they come at night . . .
Water
Polka Dot Dreams
Blood Disparities
Synesthesia
Listro (Shoe-Shiner)
Pilgrimage to the Nile
Dinner with Uncles
In the Lion’s Den
Daisies & Death
Something Familiar and Freezing
A Dead Man’s List
Dialectics of Death
Being a Woman
Rumors
Visitor
Broken Men
Song of the Dead
Awakening
Statues
Kalashnikovs
The Language of Hair
Small Tragedies
4AM
Dear Abahagoy—
Effervescence
Ode to Things Torn
Plot Line
A Secret Lull

Fuchsia

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    £999.99

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    A Paperback / softback by Mahtem Shiferraw, Kwame Dawes

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      Publisher: University of Nebraska Press
      Publication Date: Publication Date: 01/03/2016
      ISBN13: 9780803285569, 978-0803285569
      ISBN10: 0803285566

      Description

      Book Synopsis
      Winner of the Sillerman First Book Prize for African Poets, Ethiopian American Mahtem Shiferraw’s Fuchsia examines conceptions of the displaced, disassembled, and nomadic self. Embedded in her poems are colours, elements, and sensations that evoke painful memories related to deep-seated remnants of trauma, war, and diaspora.

      Trade Review
      Fuchsia, culled from robust life and a finely tuned imagination, captures mysteries of the heart and mind alongside everyday rituals. Each poem dares us line by line, and suddenly we’re inside the delicate mechanism of a deep song. The magical, raw, bittersweet duende of Fuchsia speaks boldly. The personal history and emotional architecture of Ethiopia and Eritrea reside in every portentous poem here. But the stories, each shaped and textured by true feeling, are also ours because they beckon to us.”—Yusef Komunyakaa, author of The Emperor of Water Clocks


      “In sometimes startlingly precise, and always musical, language, Shiferraw writes of her childhood in Ethiopia and of her contemporary life in Los Angeles with clarity, insight, and courage. Whether she is writing about butchering a sheep, uncles disappearing, a mother’s mystical definition of self, of war, of poverty, of Kalashnikovs, or of hair, the words on these pages ‘rummage’ until they explode—into beauty.”—Gail Wronsky, author of the poetry collection So Quick Bright Things

      “These poems are always informed with a bittersweet sense of exile, of witness, and of a properly ambivalent stance toward the bewildering consumerist culture in which the writer now finds herself. Yet Shiferraw’s poetry is also suffused with wonder—richly associative, Whitmanic in its linguistic energy and totally complex, shifting without warning from wit to gravity, from self-reflection to lyric abandon. Fuchsia is a richly promising debut.”—David Wojahn, author of World Tree


      “Color weaves through the collection, but in ‘Synesthesia,’ colors shoot up like flares to illuminate the trauma of fleeing home. . . . Gifted with synesthesia, the poet knows the world through color. Through her complex use of color, Shiferraw reveals home, made again through the action of memory, lending heartache, depth, and comfort to our lives.”—Mary Catherine Ford, World Literature Today

      “[Fuchsia] is deeply sensual: full of color, sense memories, and small details of life.”—Alex Dueben, The Rumpus


      Table of Contents
      Foreword by Kwame Dawes
      Acknowledgments
      Fuchsia
      Origins & Intersections
      E is for Eden
      How to Peel Cactus Fruit
      Something Sleeps in the Mud Beds of the Nile
      Twenty Questions for Your Mother
      While Weeping (Broadway & 5th)
      The Monster
      Talks about Race
      Sleeping with Hyenas
      She says they come at night . . .
      Water
      Polka Dot Dreams
      Blood Disparities
      Synesthesia
      Listro (Shoe-Shiner)
      Pilgrimage to the Nile
      Dinner with Uncles
      In the Lion’s Den
      Daisies & Death
      Something Familiar and Freezing
      A Dead Man’s List
      Dialectics of Death
      Being a Woman
      Rumors
      Visitor
      Broken Men
      Song of the Dead
      Awakening
      Statues
      Kalashnikovs
      The Language of Hair
      Small Tragedies
      4AM
      Dear Abahagoy—
      Effervescence
      Ode to Things Torn
      Plot Line
      A Secret Lull

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