Description

Book Synopsis

Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century.



Trade Review

“Far too often the seriousness of high art has been invoked at the expense of compelling art’s sheer gratuitousness, irrepressible impertinence, and spontaneous playfulness. A welcome and particularly bracing overturning of this staid approach is David J. Getsy’s From Diversion to Subversion, a collection of lucid essays by established and emerging scholars, which focuses insightfully on the oxymoronic turns of serious humor, games played in earnest, and ludic research.”

—Robert Hobbs,Virginia Commonwealth University


“Getsy’s anthology is a strong piece of work, with older theories of play marshaled not to justify the fun house that the art world has become in our day, but to remind us of how deeply modernists have engaged with a range of ludic possibilities.”

—Jed Perl The New Republic


“The book's project is a worthy one; play as a source for the creative imagination has too long been secondary. One hopes that this slender volume of well-researched essays succeeds in its task.”

—A. J. Wharton Choice



Table of Contents

Contents

List of Illustrations

Introduction

David J. Getsy

Part I: Games and Play in Twentieth-Century Art History

From Judgment to Process: The Modern Ludic Field

Susan Laxton

The Duchamp Code

Gavin Parkinson

My Utopia: Play in Bauhaus Photography

Kevin Moore

Serious Play: Games and Early Twentieth-Century Modernism

Claudia Mesch

Surrealist Gaming: Rules and the Rest

Mary Ann Caws

Playing in the Sand with Picasso: Relief Sculpture as Game in the Summer of 1930

David J. Getsy

Joseph Cornell’s Dangerous Games

Stephanie L. Taylor

Playing with Dada: Hannah Wilke’s Irreverent Artistic Discourse with Duchamp

Debra Wacks

Dick Higgins, Fluxus, and Infinite Play: An “Amodernist” Worldview

Owen F. Smith

1Subversive Toys: The Art of Liliana Porter

Florencia Bazzano-Nelson

Part II: Contemporary Artists’ Views on Play and Games in New Media and Public Practices

Dissolving the Magic Circle of Play: Lessons from Situationist Gaming

Anne-Marie Schleiner

Running and Gunning in the Gallery: Art Mods, Art Institutions, and the Artists Who Destroy Them

Jon Cates

Coda: Distinguishing Art from Play

Zigzagging with Full Stops from Play to Art

Ellen Handler Spitz

List of Contributors

Index

From Diversion to Subversion

    Product form

    £59.96

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    RRP £74.95 – you save £14.99 (20%)

    Order before 4pm tomorrow for delivery by Tue 16 Jun 2026.

    A Paperback by David J. Getsy

    Out of stock


      View other formats and editions of From Diversion to Subversion by David J. Getsy

      Publisher: Penn State University
      Publication Date: 2/15/2011 12:00:00 AM
      ISBN13: 9780271037035, 978-0271037035
      ISBN10: 0271037032

      Description

      Book Synopsis

      Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century.



      Trade Review

      “Far too often the seriousness of high art has been invoked at the expense of compelling art’s sheer gratuitousness, irrepressible impertinence, and spontaneous playfulness. A welcome and particularly bracing overturning of this staid approach is David J. Getsy’s From Diversion to Subversion, a collection of lucid essays by established and emerging scholars, which focuses insightfully on the oxymoronic turns of serious humor, games played in earnest, and ludic research.”

      —Robert Hobbs,Virginia Commonwealth University


      “Getsy’s anthology is a strong piece of work, with older theories of play marshaled not to justify the fun house that the art world has become in our day, but to remind us of how deeply modernists have engaged with a range of ludic possibilities.”

      —Jed Perl The New Republic


      “The book's project is a worthy one; play as a source for the creative imagination has too long been secondary. One hopes that this slender volume of well-researched essays succeeds in its task.”

      —A. J. Wharton Choice



      Table of Contents

      Contents

      List of Illustrations

      Introduction

      David J. Getsy

      Part I: Games and Play in Twentieth-Century Art History

      From Judgment to Process: The Modern Ludic Field

      Susan Laxton

      The Duchamp Code

      Gavin Parkinson

      My Utopia: Play in Bauhaus Photography

      Kevin Moore

      Serious Play: Games and Early Twentieth-Century Modernism

      Claudia Mesch

      Surrealist Gaming: Rules and the Rest

      Mary Ann Caws

      Playing in the Sand with Picasso: Relief Sculpture as Game in the Summer of 1930

      David J. Getsy

      Joseph Cornell’s Dangerous Games

      Stephanie L. Taylor

      Playing with Dada: Hannah Wilke’s Irreverent Artistic Discourse with Duchamp

      Debra Wacks

      Dick Higgins, Fluxus, and Infinite Play: An “Amodernist” Worldview

      Owen F. Smith

      1Subversive Toys: The Art of Liliana Porter

      Florencia Bazzano-Nelson

      Part II: Contemporary Artists’ Views on Play and Games in New Media and Public Practices

      Dissolving the Magic Circle of Play: Lessons from Situationist Gaming

      Anne-Marie Schleiner

      Running and Gunning in the Gallery: Art Mods, Art Institutions, and the Artists Who Destroy Them

      Jon Cates

      Coda: Distinguishing Art from Play

      Zigzagging with Full Stops from Play to Art

      Ellen Handler Spitz

      List of Contributors

      Index

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