Description
Book SynopsisClint Burnham teaches theory and popular culture at Simon Fraser University, Canada. His books include
The Jamesonian Unconscious: The Aesthetics of Marxist Theory (1995),
The Only Poetry that Matters: Reading the Kootenay School of Writing (2011), and the collections
Digital Natives (2011, co-ed. with Lorna Brown) and
From Text to Txting: New Media in the Classroom (2012, co-ed. with Paul Budra).
Trade ReviewThis breathless non-stop reading of the equally headlong Scorsese film not only uses my own work in an original and creative way (Burnham is one of my best interpreters), it has much that is new and stimulating to say about finance capital itself, and in particular about the status or this apparent mutation or globalized
Aufhebung of the classical capitalism analyzed by Marx. Is it unproductive, immaterial, postindustrial, or even no longer capitalistic? Burnham's shrewd reading of this particular representation leads me to what is for me a satisfying and illuminating conclusion: namely that finance capital is an
allegory of "real" capitalism! This is a lively and stimulating book! * Fredric Jameson, Knut Schmidt Nielsen Professor of Comparative Literature, Duke University, USA *
Nothing
fugazi here. Clint Burnham has assembled an engaging tour of the critical theories of Fredric Jameson, resulting in perhaps the best introduction to this major figure that has ever been written. He deftly demonstrates the analytical powers of Jameson's concepts by opening up the ideological complexities of Martin Scorsese's
The Wolf of Wall Street. By the end of the book, we see this entertaining and maddening movie as a shimmering product of our stage of capitalism, and we grasp completely the profound importance of confronting the political unconscious of our most visible cultural works. Highly recommended for scholars and students of contemporary culture who seek to understand the ideological atmosphere of our time and Scorsese's version of the strange rituals of Wall Street exuberance. * Charles Acland, Professor, Concordia University, Montreal, Canada *
Clint Burnham provides a patient and ambitious introduction to our greatest cultural thinker, Fredric Jameson, whose intellectual virtuosity has often eluded such clear engagement. This is an act of real generosity. At the same time, Burnham produces a bravura reading of
Wolf of Wall Street and of Martin Scorsese, who may be the Jameson of US filmmaking. But the great achievement here is not simply to do these things together, but do them at once. It is a show-don’t-tell triumph of dialectical thought that illuminates the real object of study here: not Jameson, not Scorsese, but the dialectic itself. * Joshua Clover, Professor of English and Comparative Literature, University of California Davis, US *
A commendably accessible and insightful introduction to Jameson's film theory and cultural critique, Burnham's book doubles as a witty and perceptive contribution to contemporary debates on the representability of class and financialized capitalism in a period of crisis. * Alberto Toscano, co-author of Cartographies of the Absolute and Reader in Critical Theory, Goldsmiths, University of London, UK *
Table of Contents- Introduction - Section 1: Fredric Jameson and Film Theory - Section 2: Marxism and
The Wolf of Wall Street - Conclusion Appendices: - Further Reading - Filmography (Applying the Jamesonian approach to other films) Bibliography Index
