Description

Book Synopsis
Brings together an internationally distinguished group of contributors and offers an authoritative overview of criticism on war and occupation narratives in French, a redefinition of the canon of texts and films to be studied, and a vibrant demonstration of the richness of the work in this area. -- .

Trade Review

...excellent volume

...does not disappoint.

-- .

Table of Contents

TABLE OF CONTENTS
ACKNOWLEDGEMENTS
INTRODUCTION Margaret Atack & Christopher Lloyd
PART I: CONSTRUCTING THE WAR IN NARRATIVE
INTRODUCTION
1. Gisèle Sapiro: The role of literature in framing perceptions of reality: the example of the Second World War
2. William Cloonan: Representing the war: contemporary narratives of World War Two
3. Colin Nettelbeck: Getting at the truth: some issues of sources in the construction of an understanding of the Second World War and Occupation in France
4. Nathalie Aubert: La Main à plume: poetry under the Occupation
5. Thomas Newman: A reading of Genet’s adaptations from the Russian novel in his Occupation narratives
6. Peter Tame: Private and public spaces and places in Jonathan Littell’s Les Bienveillantes
7. Béatrice Damamme-Gilbert: Henry Bauchau’s Le Boulevard périphérique: The war story as clarification and investigation of the present

PART II: REPRESENTATION AND RECEPTION
INTRODUCTION
8. Richard J Golsan: Corruptions of memory: some reflections on history, representation and le devoir de mémoire in France today
9. Debra Kelly: Lived experience past/reading experience present: figures of memory in French life-writing narratives of the Occupation

10. Angela Kershaw: Fictions of testimony: Irène Némirovsky and Suite française
11. Virginie Sansico: Hoaxes and the memory of the Second World War: from Un Héros très discret to Misha Defonseca
12. Penny Brown: Framing the past: illustrating the Second World War in French children’s fiction
13. Angela O’Flaherty: The traumatised national community in Anna Langfus’s Les Bagages de sable
14. Luc Rasson: When the SS-man says I: on Robert Merle, Michel Rachline and Jonathan Littell

PART III: TRAJECTORIES
INTRODUCTION
15. Leah Hewitt: Distorted mirrors: Jewish identity in French post-war films on the Occupation
16. Hilary Footitt: The liberal way of war? French representations of the Allies 1944-2008
17. Danièle Sabbah: ‘Avoir vingt ans dans cette effroyable tourmente’ : Second World War Diaries in the Light of Hélène Berr’s Journal
18. David Uhrig: Maurice Blanchot’s Aminadab: a novel about collective memory under Vichy
19. Katherine Cardin: Life as an ‘enfant de collabo’: Marie Chaix’s evolution 1974-2005


20. Alan Morris: ‘Un Passé qui ne passe pas’: Patrick Modiano’s Accident nocturne and Dans le café de la jeunesse perdue

CONCLUSION
NOTES ON CONTRIBUTORS
INDEX

Framing Narratives of the Second World War and

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A Hardback by Margaret Atack, Christopher Lloyd

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    View other formats and editions of Framing Narratives of the Second World War and by Margaret Atack

    Publisher: Manchester University Press
    Publication Date: 31/08/2012
    ISBN13: 9780719087554, 978-0719087554
    ISBN10: 719087554

    Description

    Book Synopsis
    Brings together an internationally distinguished group of contributors and offers an authoritative overview of criticism on war and occupation narratives in French, a redefinition of the canon of texts and films to be studied, and a vibrant demonstration of the richness of the work in this area. -- .

    Trade Review

    ...excellent volume

    ...does not disappoint.

    -- .

    Table of Contents

    TABLE OF CONTENTS
    ACKNOWLEDGEMENTS
    INTRODUCTION Margaret Atack & Christopher Lloyd
    PART I: CONSTRUCTING THE WAR IN NARRATIVE
    INTRODUCTION
    1. Gisèle Sapiro: The role of literature in framing perceptions of reality: the example of the Second World War
    2. William Cloonan: Representing the war: contemporary narratives of World War Two
    3. Colin Nettelbeck: Getting at the truth: some issues of sources in the construction of an understanding of the Second World War and Occupation in France
    4. Nathalie Aubert: La Main à plume: poetry under the Occupation
    5. Thomas Newman: A reading of Genet’s adaptations from the Russian novel in his Occupation narratives
    6. Peter Tame: Private and public spaces and places in Jonathan Littell’s Les Bienveillantes
    7. Béatrice Damamme-Gilbert: Henry Bauchau’s Le Boulevard périphérique: The war story as clarification and investigation of the present

    PART II: REPRESENTATION AND RECEPTION
    INTRODUCTION
    8. Richard J Golsan: Corruptions of memory: some reflections on history, representation and le devoir de mémoire in France today
    9. Debra Kelly: Lived experience past/reading experience present: figures of memory in French life-writing narratives of the Occupation

    10. Angela Kershaw: Fictions of testimony: Irène Némirovsky and Suite française
    11. Virginie Sansico: Hoaxes and the memory of the Second World War: from Un Héros très discret to Misha Defonseca
    12. Penny Brown: Framing the past: illustrating the Second World War in French children’s fiction
    13. Angela O’Flaherty: The traumatised national community in Anna Langfus’s Les Bagages de sable
    14. Luc Rasson: When the SS-man says I: on Robert Merle, Michel Rachline and Jonathan Littell

    PART III: TRAJECTORIES
    INTRODUCTION
    15. Leah Hewitt: Distorted mirrors: Jewish identity in French post-war films on the Occupation
    16. Hilary Footitt: The liberal way of war? French representations of the Allies 1944-2008
    17. Danièle Sabbah: ‘Avoir vingt ans dans cette effroyable tourmente’ : Second World War Diaries in the Light of Hélène Berr’s Journal
    18. David Uhrig: Maurice Blanchot’s Aminadab: a novel about collective memory under Vichy
    19. Katherine Cardin: Life as an ‘enfant de collabo’: Marie Chaix’s evolution 1974-2005


    20. Alan Morris: ‘Un Passé qui ne passe pas’: Patrick Modiano’s Accident nocturne and Dans le café de la jeunesse perdue

    CONCLUSION
    NOTES ON CONTRIBUTORS
    INDEX

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