Description

Book Synopsis
In addition to a substantial introduction to the life and works of Federico García Lorca—avant-garde poet, playwright, and soul of Spain's "Generation of '27"—this collection features vibrant new English translations of four of his plays. The legacy of a dramatic, religious, and social iconoclast whose death made him a martyr of the left in Civil-War Spain and who today is embraced as a gay icon shines through in Michael Kidd's stage-worthy renderings of Yerma, Blood Wedding, The House of Bernarda Alba, and a more experimental play, The Audience, a kaleidoscopic exploration of sexual identity and theater.

Trade Review
"Kidd’s translations are excellent, both accurate and readable, and the biographical and critical guides are useful."
—Jonathan Mayhew, University of Kansas

Four Key Plays: The Audience, Blood Wedding,

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    Order before 4pm tomorrow for delivery by Wed 8 Jul 2026.

    A Hardback by Federico García Lorca, Michael Kidd

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      View other formats and editions of Four Key Plays: The Audience, Blood Wedding, by Federico García Lorca

      Publisher: Hackett Publishing Co, Inc
      Publication Date: 03/06/2019
      ISBN13: 9781624667763, 978-1624667763
      ISBN10: 1624667767

      Description

      Book Synopsis
      In addition to a substantial introduction to the life and works of Federico García Lorca—avant-garde poet, playwright, and soul of Spain's "Generation of '27"—this collection features vibrant new English translations of four of his plays. The legacy of a dramatic, religious, and social iconoclast whose death made him a martyr of the left in Civil-War Spain and who today is embraced as a gay icon shines through in Michael Kidd's stage-worthy renderings of Yerma, Blood Wedding, The House of Bernarda Alba, and a more experimental play, The Audience, a kaleidoscopic exploration of sexual identity and theater.

      Trade Review
      "Kidd’s translations are excellent, both accurate and readable, and the biographical and critical guides are useful."
      —Jonathan Mayhew, University of Kansas

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