Description

This is the most respected and most widely-read Russian ballet manual in the world, written in 1938 by Agrippina Vaganova (Russia’s most influential ballet teacher of all time) and published in its final version (renowned as the 3rd edition) in U.S.S.R. in 1948. The book is presented – for the first time in English! – in its complete, unabridged, original form. Agrippina Vaganova played a pivotal role in the rebirth of Russian ballet, and her teaching method has gained unparalleled fame throughout the world. This Russian ballet techniques reference manual is the basis for all other classical ballet textbooks. The book contains the original text, additional documentation, contextual analysis, a biographical essay of Vaganova’s lifetime achievements, photos, specific illustrations of movements, forms and positions of her ballet method, and a fundamental new study on the influence of the Italians (led by Enrico Cecchetti) on the development of Russian ballet.

Foundations of Classical Ballet: New, Complete and Unabridged Translation of the 3rd Edition

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Paperback / softback by Agrippina Vaganova , Flavia Pappacena

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This is the most respected and most widely-read Russian ballet manual in the world, written in 1938 by Agrippina Vaganova... Read more

    Publisher: Gremese Editore
    Publication Date: 15/05/2021
    ISBN13: 9788873017899, 978-8873017899
    ISBN10: 8873017894

    Number of Pages: 256

    Description

    This is the most respected and most widely-read Russian ballet manual in the world, written in 1938 by Agrippina Vaganova (Russia’s most influential ballet teacher of all time) and published in its final version (renowned as the 3rd edition) in U.S.S.R. in 1948. The book is presented – for the first time in English! – in its complete, unabridged, original form. Agrippina Vaganova played a pivotal role in the rebirth of Russian ballet, and her teaching method has gained unparalleled fame throughout the world. This Russian ballet techniques reference manual is the basis for all other classical ballet textbooks. The book contains the original text, additional documentation, contextual analysis, a biographical essay of Vaganova’s lifetime achievements, photos, specific illustrations of movements, forms and positions of her ballet method, and a fundamental new study on the influence of the Italians (led by Enrico Cecchetti) on the development of Russian ballet.

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