Description

Book Synopsis
The Kamasutra is best known in the West for its scandalous celebration of unbridled sensuality. Yet, there is much, much more to it; embedded in the text is a vision of the city founded on art and aesthetic pleasure. In Foucault and the Kamasutra, Sanjay K. Gautam lays out the nature and origin of this iconic Indian text and engages in the first serious reading of its relationship with Foucault. Gautam shows how closely intertwined the history of erotics in Indian culture is with the history of theater-aesthetics grounded in the discourse of love, and Foucault provides the framework for opening up an intellectual horizon of Indian thought. To do this, Gautam looks to the history of three inglorious characters in classical India: the courtesan and her two closest male companionsher patron, the dandy consort; and her teacher and advisor, the dandy guru. Foucault's distinction between erotic arts and the science of sexuality drives Gautam's exploration of the courtesan as a symbol of b

Foucault and the Kamasutra The Courtesan the

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    A Hardback by Sanjay K. Gautam

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      View other formats and editions of Foucault and the Kamasutra The Courtesan the by Sanjay K. Gautam

      Publisher: The University of Chicago Press
      Publication Date: 22/06/2016
      ISBN13: 9780226348308, 978-0226348308
      ISBN10: 022634830X

      Description

      Book Synopsis
      The Kamasutra is best known in the West for its scandalous celebration of unbridled sensuality. Yet, there is much, much more to it; embedded in the text is a vision of the city founded on art and aesthetic pleasure. In Foucault and the Kamasutra, Sanjay K. Gautam lays out the nature and origin of this iconic Indian text and engages in the first serious reading of its relationship with Foucault. Gautam shows how closely intertwined the history of erotics in Indian culture is with the history of theater-aesthetics grounded in the discourse of love, and Foucault provides the framework for opening up an intellectual horizon of Indian thought. To do this, Gautam looks to the history of three inglorious characters in classical India: the courtesan and her two closest male companionsher patron, the dandy consort; and her teacher and advisor, the dandy guru. Foucault's distinction between erotic arts and the science of sexuality drives Gautam's exploration of the courtesan as a symbol of b

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