Description

Book Synopsis
Includes essay on Botticelli that traces the artist's sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting.

Trade Review
"[Kermode] was drawn to the entanglements of the text and its rational mysteries rather than some scaffold of theory.... He protected the reader's freedom to be interested in whatever was interesting. That meant writing a prose that was never wholly academic and over the years became more and more open to the intersection of literature and the lives we're actually living." (New York Times) "Kermode's volume has the virtue of a lecturer's accessible style designed for a listening audience. It is also self-consciously spare of 'naked criticism.' There is, nonetheless, an abundance of learned commentary, steady substance, and unveiled critical excellence. Which is to say the volume is a useful and engaging reflection of its learned author." (London Review of Books)"

Forms of Attention

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£16.00

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A Paperback / softback by Frank Kermode, Frank Lentricchia

15 in stock


    View other formats and editions of Forms of Attention by Frank Kermode

    Publisher: The University of Chicago Press
    Publication Date: 30/09/2011
    ISBN13: 9780226431758, 978-0226431758
    ISBN10: 0226431754

    Description

    Book Synopsis
    Includes essay on Botticelli that traces the artist's sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting.

    Trade Review
    "[Kermode] was drawn to the entanglements of the text and its rational mysteries rather than some scaffold of theory.... He protected the reader's freedom to be interested in whatever was interesting. That meant writing a prose that was never wholly academic and over the years became more and more open to the intersection of literature and the lives we're actually living." (New York Times) "Kermode's volume has the virtue of a lecturer's accessible style designed for a listening audience. It is also self-consciously spare of 'naked criticism.' There is, nonetheless, an abundance of learned commentary, steady substance, and unveiled critical excellence. Which is to say the volume is a useful and engaging reflection of its learned author." (London Review of Books)"

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