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Winner, 2022 Association of University Presses Book, Jacket, and Journal Show in the Scholarly Illustrated CategoryA significant contribution on the development and aftermath of postWorld War II Concretism in BrazilForm and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists todaynamely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume con

Form and Feeling

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    A Hardback by Antonio Sergio Bessa, Michael Asbury, Antonio Sergio Bessa

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      Publisher: Fordham University Press
      Publication Date: Publication Date: 09/02/2021
      ISBN13: 9780823289103, 978-0823289103
      ISBN10: 0823289109

      Description

      Book Synopsis
      Winner, 2022 Association of University Presses Book, Jacket, and Journal Show in the Scholarly Illustrated CategoryA significant contribution on the development and aftermath of postWorld War II Concretism in BrazilForm and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists todaynamely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume con

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