Description
The arrival of the greatest single panel cartoonist since Charles Addams
One swing trapeze artist prepares to receive a newborn child from another all the while shrieking Support the head! A hopeful, naked Adam reaches high for the largest leaf while a frustrated Eve hands him a smaller, more-appropriately sized leaf. A dejected squid stands in a doorway, shock and dismay on his face, as a ruined surprise party lies in wait before himguests, presents, and birthday cake covered in a blast of ink in mid-Sur as loose balloons butt against the ceiling.
Once in generation, a distinctly new perspective emerges from the pages of The New Yorker. In our times, that perspective belongs to Ed Steed. Steeped in the classic formalist tradition of the single-panel gag, Steed possesses a shocking and macabre talent for drawings guaranteed to make even the most composed of casual readers laugh out loud. At times reminiscent of Charles Addams, George Booth, William Steig,
