Description

Book Synopsis

According to medieval theologians, faith is a deadly serious business. Humour and virtue are irreconcilable, because laughter is uncontrollable and escapes the control of reason. A modest smile is permitted. But laughing loudly, grinning and grimacing: these are the playing field of the devil – just as pernicious as other uncontrollable urges, such as physical love or the addiction of the gambler. That is the domain of the peasant or fool.

In the late Middle Ages, every right-thinking town-dweller knew the difference between the peasant and the fool. Peasants are innocently gullible, primitive, throwing themselves into feasting, gorging, drinking and sex. The peasant is the antithesis of the cultivated urbanite, who fastidiously controls his urges – and who therefore above all must not laugh too loudly. Only during Innocents Day parties or Shrove Tuesday celebrations is it permitted for urban partygoers to play the fool and to show their ‘underbelly’.

In contrast to the peasant, the fool escapes the existing order. He holds up a mirror to the self-declared wise citizens, because ‘the fool reveals the truth through laughter’, even though it may be hidden between piss and shit, sex and snot. It is for precisely this reason that Erasmus, in his In Praise of Folly writes not as himself but through the persona of Folly, a broad back behind which the wise person can hide when he denounces social problems. Laughter thus alters the world.

In this context, the fool and irony became important motifs in medieval art, especially in the Low Countries. This original art book is illustrated with dozens of top-quality works by Flemish masters from worldwide collections.



Table of Contents
EXCREMENTAL MIRTH INTRODUCTION VISUAL IRONY PROLOGUE FOOLISH CREATURES CHAPTER I FOOLS IN COURT AND DAILY LIFE CHAPTER II FOOLS IN LITERATURE AND ALLEGORY CHAPTER III FOOLISH LOVE... AND MARRIAGE CHAPTER IV BEHAVING BADLY — PEASANTS CHAPTER V BEHAVING BADLY — MERRY COMPANIES CHAPTER VI BEGGARS AND OTHER BEASTS CHAPTER VII PROVERBIAL FOLLY CONCLUSION MIDDLE-CLASS MORALITY

Fools & Folly in Flemish Art

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    A Hardback by Larry Silver

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      Publisher: Cannibal/Hannibal Publishers
      Publication Date: Publication Date: 23/02/2023
      ISBN13: 9789463887816, 978-9463887816
      ISBN10: 9463887814

      Description

      Book Synopsis

      According to medieval theologians, faith is a deadly serious business. Humour and virtue are irreconcilable, because laughter is uncontrollable and escapes the control of reason. A modest smile is permitted. But laughing loudly, grinning and grimacing: these are the playing field of the devil – just as pernicious as other uncontrollable urges, such as physical love or the addiction of the gambler. That is the domain of the peasant or fool.

      In the late Middle Ages, every right-thinking town-dweller knew the difference between the peasant and the fool. Peasants are innocently gullible, primitive, throwing themselves into feasting, gorging, drinking and sex. The peasant is the antithesis of the cultivated urbanite, who fastidiously controls his urges – and who therefore above all must not laugh too loudly. Only during Innocents Day parties or Shrove Tuesday celebrations is it permitted for urban partygoers to play the fool and to show their ‘underbelly’.

      In contrast to the peasant, the fool escapes the existing order. He holds up a mirror to the self-declared wise citizens, because ‘the fool reveals the truth through laughter’, even though it may be hidden between piss and shit, sex and snot. It is for precisely this reason that Erasmus, in his In Praise of Folly writes not as himself but through the persona of Folly, a broad back behind which the wise person can hide when he denounces social problems. Laughter thus alters the world.

      In this context, the fool and irony became important motifs in medieval art, especially in the Low Countries. This original art book is illustrated with dozens of top-quality works by Flemish masters from worldwide collections.



      Table of Contents
      EXCREMENTAL MIRTH INTRODUCTION VISUAL IRONY PROLOGUE FOOLISH CREATURES CHAPTER I FOOLS IN COURT AND DAILY LIFE CHAPTER II FOOLS IN LITERATURE AND ALLEGORY CHAPTER III FOOLISH LOVE... AND MARRIAGE CHAPTER IV BEHAVING BADLY — PEASANTS CHAPTER V BEHAVING BADLY — MERRY COMPANIES CHAPTER VI BEGGARS AND OTHER BEASTS CHAPTER VII PROVERBIAL FOLLY CONCLUSION MIDDLE-CLASS MORALITY

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