Description
Book SynopsisThis book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if examined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization.
Trade Review“Lorea’s research provides some interesting new perspectives to approach the bāul-sphere. Her extensive knowledge of relevant critical theoretical concepts and her frequent dialogue with those is as applaudable as her honest confusions regarding Bhaba’s religious identity and his probable association with different religious groups.” Ratul Ghosh, Cooch Behar, Folklore, Religion and the Songs of a Bengali Madman 116(2), 2021
