Description

Book Synopsis
Focusing on the most definition-resistant art movement in history and departing from its two chief characteristics: intermediality and interactivity, this book develops an original theory of practice, the experiential philosophy of non-duality, which is the philosophy of dynamic co-constitutivity. This is done by tracing the performativity of intermedial works – works that fall conceptually between the art and the life media, such as Bengt af Klintbergs’s event score: “Eat an orange as if it were an apple” – in five key areas of human experience: language, temporality, the sensorium, social rites and rituals, and systems of economic exchange. The main argument, woven with the aid of the Derridian blind tactics, the Gramscian production of social life and the Zen-derived interexpression of Kitaro Nishida, is that the practical philosophy of co-constitutivity arises from the logic of the intermedium. In pursuing this argument, the book does three things: (1) it theorises an oeuvre that has remained under-theorised due to its fundamentally non-discursive nature and in doing so reinstates Fluxus as an influential cultural, rather than a “merely” artistic paradigm; (2) it serves as a companion to thinking by doing since most Fluxus intermedia are ready-mades, and, as such, readily available in the everyday environment; and (3) it establishes the counter-hegemonic logic of fluxing while tracing its legacy in contemporary practices as diverse as the culture-jamming activism of The Yes Men, the paradoxical performance work of Song Dong and the pervasive game worlds of Blast Theory.

Trade Review
"A valuable attempt to understand systematically how Fluxus is preoccupied with structures of power/authority and its convolutions, capable of moving from simple acts of refusal to deeper and open contestations of hierarchies, institutionalizations and cultural sedimentations. Such a pinning down of the research scope benefits both the central argument and its intuitive dispositions." – Flutur Troshani, University of Helsinki

Table of Contents
Preface and Acknowledgements Chapter One: Introduction Chapter Two: Language Chapter Three: Temporality Chapter Four: The Sensorium Chapter Five: Social Rites and Rituals Chapter Six: Systems of Economic Exchange Chapter Seven: Conclusion: The Logic and Legacy of Fluxing Bibliography Index

Fluxus: The Practice of Non-Duality

    Product form

    £87.01

    Includes FREE delivery

    Order before 4pm today for delivery by Fri 19 Jun 2026.

    A Paperback by Natasha Lushetich

    Out of stock


      View other formats and editions of Fluxus: The Practice of Non-Duality by Natasha Lushetich

      Publisher: Brill
      Publication Date: 01/01/2014
      ISBN13: 9789042038516, 978-9042038516
      ISBN10:
      Also in:
      Theatre studies

      Description

      Book Synopsis
      Focusing on the most definition-resistant art movement in history and departing from its two chief characteristics: intermediality and interactivity, this book develops an original theory of practice, the experiential philosophy of non-duality, which is the philosophy of dynamic co-constitutivity. This is done by tracing the performativity of intermedial works – works that fall conceptually between the art and the life media, such as Bengt af Klintbergs’s event score: “Eat an orange as if it were an apple” – in five key areas of human experience: language, temporality, the sensorium, social rites and rituals, and systems of economic exchange. The main argument, woven with the aid of the Derridian blind tactics, the Gramscian production of social life and the Zen-derived interexpression of Kitaro Nishida, is that the practical philosophy of co-constitutivity arises from the logic of the intermedium. In pursuing this argument, the book does three things: (1) it theorises an oeuvre that has remained under-theorised due to its fundamentally non-discursive nature and in doing so reinstates Fluxus as an influential cultural, rather than a “merely” artistic paradigm; (2) it serves as a companion to thinking by doing since most Fluxus intermedia are ready-mades, and, as such, readily available in the everyday environment; and (3) it establishes the counter-hegemonic logic of fluxing while tracing its legacy in contemporary practices as diverse as the culture-jamming activism of The Yes Men, the paradoxical performance work of Song Dong and the pervasive game worlds of Blast Theory.

      Trade Review
      "A valuable attempt to understand systematically how Fluxus is preoccupied with structures of power/authority and its convolutions, capable of moving from simple acts of refusal to deeper and open contestations of hierarchies, institutionalizations and cultural sedimentations. Such a pinning down of the research scope benefits both the central argument and its intuitive dispositions." – Flutur Troshani, University of Helsinki

      Table of Contents
      Preface and Acknowledgements Chapter One: Introduction Chapter Two: Language Chapter Three: Temporality Chapter Four: The Sensorium Chapter Five: Social Rites and Rituals Chapter Six: Systems of Economic Exchange Chapter Seven: Conclusion: The Logic and Legacy of Fluxing Bibliography Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account