Description

A great, ancient art form, brought right up to date by one of Japan’s foremost writers

Noh is a form of classical Japanese dance-drama that has been performed since the 14th century. Based on tales from traditional literature, and structured according to strict rules, at the heart of Noh often lies an accidental encounter through which the workings of Fate are revealed. Often one of the persons is not what he or she seems to be: perhaps a ghost, or a character who has suffered a dramatic reversal of fortune.
These five pieces, written between 1950 and 1955 and presented as modern plays at the time, are as suited to being performed on any stage in the world, as they are to being read in Donald Keene’s pitch-perfect translation. In them, Yukio Mishima preserves the weird and haunting mood of classical Noh, whilst lending his characters and situations the directness and hardness of an encounter on a modern city street.

Five Modern Noh Plays

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Paperback / softback by Yukio Mishima , Donald Keene

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A great, ancient art form, brought right up to date by one of Japan’s foremost writersNoh is a form of... Read more

    Publisher: Europa Editions (UK) Ltd
    Publication Date: 03/06/2021
    ISBN13: 9781787702981, 978-1787702981
    ISBN10: 1787702987

    Number of Pages: 288

    Non Fiction , Art & Photography

    Description

    A great, ancient art form, brought right up to date by one of Japan’s foremost writers

    Noh is a form of classical Japanese dance-drama that has been performed since the 14th century. Based on tales from traditional literature, and structured according to strict rules, at the heart of Noh often lies an accidental encounter through which the workings of Fate are revealed. Often one of the persons is not what he or she seems to be: perhaps a ghost, or a character who has suffered a dramatic reversal of fortune.
    These five pieces, written between 1950 and 1955 and presented as modern plays at the time, are as suited to being performed on any stage in the world, as they are to being read in Donald Keene’s pitch-perfect translation. In them, Yukio Mishima preserves the weird and haunting mood of classical Noh, whilst lending his characters and situations the directness and hardness of an encounter on a modern city street.

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