Description

Book Synopsis

First published in 1972 Five for Freedom is a candid study of five European fictional heroines as anticipatory of contemporary feminism: Madame de Merteuil of Choderlos de Laclosâ Les Liaisons dangereuses, Jane Eyre, Emma Bovary, Tess of the DâUrbervilles, and Tony Buddenbrook. Professor Wagner clearly believes that, in the first place, the role of women in the development of fiction has been underestimated, while the claims to originality of many recent female liberationists have been equally overestimated.

This is a far-ranging, lightly-handled book with insights into both mode of fiction, as it developed and answered womenâs demands, and into the role of some of its leading heroines; for Professor Wagnerâs studies do not limit themselves strictly to the âfive for freedomâ but foray into Balzacâs Cousine Bette, Catherine Earnshaw of Wuthering Heights, Anna Karenina, and Eca de Queirozâs Portuguese Bovary in Cousin Bazilio. This brilliant little study is topical, readable, yet learned. It will be useful for scholars and researchers of literature, Womenâs studies, and Gender studies.

Five for Freedom

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    Order before 4pm today for delivery by Tue 11 Aug 2026.

    A Paperback by Geoffrey Wagner

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      Publisher: Taylor & Francis
      Publication Date: Publication Date: 11/30/2025
      ISBN13: 9781032616551, 978-1032616551
      ISBN10: 1032616555

      Description

      Book Synopsis

      First published in 1972 Five for Freedom is a candid study of five European fictional heroines as anticipatory of contemporary feminism: Madame de Merteuil of Choderlos de Laclosâ Les Liaisons dangereuses, Jane Eyre, Emma Bovary, Tess of the DâUrbervilles, and Tony Buddenbrook. Professor Wagner clearly believes that, in the first place, the role of women in the development of fiction has been underestimated, while the claims to originality of many recent female liberationists have been equally overestimated.

      This is a far-ranging, lightly-handled book with insights into both mode of fiction, as it developed and answered womenâs demands, and into the role of some of its leading heroines; for Professor Wagnerâs studies do not limit themselves strictly to the âfive for freedomâ but foray into Balzacâs Cousine Bette, Catherine Earnshaw of Wuthering Heights, Anna Karenina, and Eca de Queirozâs Portuguese Bovary in Cousin Bazilio. This brilliant little study is topical, readable, yet learned. It will be useful for scholars and researchers of literature, Womenâs studies, and Gender studies.

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