Description

Book Synopsis

A first-of-its-kind guide for new media times, this book provides practical, step-by-step instructions for writing first-person features, essays, and digital content.

Combining journalism techniques with self-exploration and personal storytelling, First-Person Journalism is designed to help writers to develop their personal voice and establish a narrative stance. The book introduces nine elements of first-person journalismpassion, self-reporting, stance, observation, attribution, counterpoints, time travel, the mix, and impact. Two introductory chapters define first-person journalism and its value in building trust with a public now skeptical of traditional news media. The nine practice chapters that follow each focus on one first-person element, presenting a sequence of voice lessons with a culminating writing assignment, such as a personal trend story or an open letter. Examples are drawn from diverse nonfiction writers and journal

Table of Contents

Contents

Preface: Personal Journalism for Challenging Times

PART ONE: What Is First-Person Journalism?

Chapter 1: How I Became a First-Person Journalist

    • Defining first-person journalism
    • Permission to say "I"
    • Is it ever too personal?
    • Self-reporting: "What do I know?"
    • How to use this book
    • Why gonzo got it wrong—and right

Chapter 2: The Ethics of Personal Reporting

    • He said, she said
    • The limits of objectivity
    • Liars, thieves, and postmodernists
    • Fictional selves versus true selves
    • Embracing the active "I"

PART TWO: Developing an Active "I" Voice

Chapter 3: Locating Your Passion: What do I want to write about?

    • Don’t bore yourself
    • Don’t perform your emotions
    • Don’t scream at readers
    • Cultivating curiosity: passion for facts
    • Responding to the world
    • Personal story: write about a "wart"

Chapter 4: Investigating Yourself: How do I know my own story is true?

    • Why memories are not facts
    • Fact checking the basics
    • Fact checking with family and friends
    • Reporting on your "I"
    • Reporting on what you haven’t said
    • Admitting what you’ll never know
    • Memory essay: write about an early memory
    • Sample story: "Hurricane Warnings"

Chapter 5: Establishing Your Stance: How close am I to the story?

    • From POV to first-person stance
    • Determining your emotional distance
    • Personal example: reining in myself
    • Addressing readers: five stances
    • Rethinking voice: active response
    • Review: your personal take on a media work

PART THREE: Reporting Beyond the Self

Chapter 6: Observing Real Life: How do I describe people and places?

    • Relevance versus vagueness
    • Three kinds of details
    • Conveying the feel of a place
    • Reporting what people do and say
    • Direct reporting of events
    • The art of capsule description
    • Local profile: write about a neighborhood place

Chapter 7: Attributing Sources: Where do my facts come from?

    • What is attribution?
    • Sources in first-person features
    • Attribution tags and linking
    • Danger! Avoid voice hijacks
    • The curse of knowledge
    • How-to piece: explain with three tips

Chapter 8: Convincing Readers: What’s my argument and who disagrees?

    • The curse of unconscious feeling
    • Point-counterpoint
    • Not all experts are the same
    • Establishing first-person authority
    • Open letter: address a public figure or topic

PART FOUR: Storytelling to Make an Impact

Chapter 9: Moving Through Time: How have I and the world changed?

    • Sequence: what comes first?
    • Chronology: orienting readers in time
    • Time machine: shifting between past and present selves
    • Trends: personal and cultural
    • Personal trend story: write about changes in food, music, or weather

Chapter 10: Organizing a Story: How do I mix everything together?

    • What’s in the mix?
    • Classic feature formula: lead + nut graf
    • Scene breaks and dramatic tension
    • Essays: emotional journeys
    • New mix: feature or essay?
    • Sample outline: "Why I’ll Never Surf Again"

Chapter 11: Revising for Impact: What do I really want to say?

    • Test your idea: pitching
    • Focus your idea: taglines
    • Focus your voice: cutting and selecting
    • Connect to the world: your impact
    • Story revision: complete a feature or essay
    • Impact Plan: how do you know?

End Note: Witnessing the World with Empathy

25 Rules for First-Person Journalism

Index

FirstPerson Journalism

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    £34.99

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    Order before 4pm today for delivery by Thu 25 Jun 2026.

    A Paperback by Martha Nichols

    15 in stock


      View other formats and editions of FirstPerson Journalism by Martha Nichols

      Publisher: Taylor & Francis Ltd
      Publication Date: 11/12/2021 12:00:00 AM
      ISBN13: 9780367676476, 978-0367676476
      ISBN10: 0367676478

      Description

      Book Synopsis

      A first-of-its-kind guide for new media times, this book provides practical, step-by-step instructions for writing first-person features, essays, and digital content.

      Combining journalism techniques with self-exploration and personal storytelling, First-Person Journalism is designed to help writers to develop their personal voice and establish a narrative stance. The book introduces nine elements of first-person journalismpassion, self-reporting, stance, observation, attribution, counterpoints, time travel, the mix, and impact. Two introductory chapters define first-person journalism and its value in building trust with a public now skeptical of traditional news media. The nine practice chapters that follow each focus on one first-person element, presenting a sequence of voice lessons with a culminating writing assignment, such as a personal trend story or an open letter. Examples are drawn from diverse nonfiction writers and journal

      Table of Contents

      Contents

      Preface: Personal Journalism for Challenging Times

      PART ONE: What Is First-Person Journalism?

      Chapter 1: How I Became a First-Person Journalist

        • Defining first-person journalism
        • Permission to say "I"
        • Is it ever too personal?
        • Self-reporting: "What do I know?"
        • How to use this book
        • Why gonzo got it wrong—and right

      Chapter 2: The Ethics of Personal Reporting

        • He said, she said
        • The limits of objectivity
        • Liars, thieves, and postmodernists
        • Fictional selves versus true selves
        • Embracing the active "I"

      PART TWO: Developing an Active "I" Voice

      Chapter 3: Locating Your Passion: What do I want to write about?

        • Don’t bore yourself
        • Don’t perform your emotions
        • Don’t scream at readers
        • Cultivating curiosity: passion for facts
        • Responding to the world
        • Personal story: write about a "wart"

      Chapter 4: Investigating Yourself: How do I know my own story is true?

        • Why memories are not facts
        • Fact checking the basics
        • Fact checking with family and friends
        • Reporting on your "I"
        • Reporting on what you haven’t said
        • Admitting what you’ll never know
        • Memory essay: write about an early memory
        • Sample story: "Hurricane Warnings"

      Chapter 5: Establishing Your Stance: How close am I to the story?

        • From POV to first-person stance
        • Determining your emotional distance
        • Personal example: reining in myself
        • Addressing readers: five stances
        • Rethinking voice: active response
        • Review: your personal take on a media work

      PART THREE: Reporting Beyond the Self

      Chapter 6: Observing Real Life: How do I describe people and places?

        • Relevance versus vagueness
        • Three kinds of details
        • Conveying the feel of a place
        • Reporting what people do and say
        • Direct reporting of events
        • The art of capsule description
        • Local profile: write about a neighborhood place

      Chapter 7: Attributing Sources: Where do my facts come from?

        • What is attribution?
        • Sources in first-person features
        • Attribution tags and linking
        • Danger! Avoid voice hijacks
        • The curse of knowledge
        • How-to piece: explain with three tips

      Chapter 8: Convincing Readers: What’s my argument and who disagrees?

        • The curse of unconscious feeling
        • Point-counterpoint
        • Not all experts are the same
        • Establishing first-person authority
        • Open letter: address a public figure or topic

      PART FOUR: Storytelling to Make an Impact

      Chapter 9: Moving Through Time: How have I and the world changed?

        • Sequence: what comes first?
        • Chronology: orienting readers in time
        • Time machine: shifting between past and present selves
        • Trends: personal and cultural
        • Personal trend story: write about changes in food, music, or weather

      Chapter 10: Organizing a Story: How do I mix everything together?

        • What’s in the mix?
        • Classic feature formula: lead + nut graf
        • Scene breaks and dramatic tension
        • Essays: emotional journeys
        • New mix: feature or essay?
        • Sample outline: "Why I’ll Never Surf Again"

      Chapter 11: Revising for Impact: What do I really want to say?

        • Test your idea: pitching
        • Focus your idea: taglines
        • Focus your voice: cutting and selecting
        • Connect to the world: your impact
        • Story revision: complete a feature or essay
        • Impact Plan: how do you know?

      End Note: Witnessing the World with Empathy

      25 Rules for First-Person Journalism

      Index

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