Description

Book Synopsis
Fire Break is a suite of untitled lyric poems which move through a succession of present moments, bringing through the weave both hard-edged engagement and uncommon harmonics. In the mix can be heard messages of desire, physicality, global imbalances, and ultimately, creation.

Trade Review

“George Albon’s admirable body of work functions like a musical backbone, bracing us for and facing us into the world.” (Forrest Gander)

“Let melody stand for attachment”—as a phrase it’s a credo and poetics, at once making melos the means and measure of the poet’s relation to his environs. And tough George Albon indeed puts language as made thing between observer and world, he does so in order to examine our attachments rather than eschew them. “No sooner written,” he writes, “than contended.” He crafts poems so perceptually rich and critically canny that they everywhere render the complexities of affect coded as music,“resonance merging/ with its being/ struck.” As attuned to “the mercantile/world working” as to the erotics of “literal skin” Fire Break reminds us of the important Objectivist legacy Oppen and Rakosi left on the West Coast. Few are more their heir than George Albon. (Brian Teare)

Fire Break

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    £11.39

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    RRP £11.99 – you save £0.60 (5%)

    Order before 4pm today for delivery by Fri 26 Jun 2026.

    A Paperback / softback by George Albon

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      View other formats and editions of Fire Break by George Albon

      Publisher: Nightboat Books
      Publication Date: 17/10/2013
      ISBN13: 9781937658137, 978-1937658137
      ISBN10: 1937658139

      Description

      Book Synopsis
      Fire Break is a suite of untitled lyric poems which move through a succession of present moments, bringing through the weave both hard-edged engagement and uncommon harmonics. In the mix can be heard messages of desire, physicality, global imbalances, and ultimately, creation.

      Trade Review

      “George Albon’s admirable body of work functions like a musical backbone, bracing us for and facing us into the world.” (Forrest Gander)

      “Let melody stand for attachment”—as a phrase it’s a credo and poetics, at once making melos the means and measure of the poet’s relation to his environs. And tough George Albon indeed puts language as made thing between observer and world, he does so in order to examine our attachments rather than eschew them. “No sooner written,” he writes, “than contended.” He crafts poems so perceptually rich and critically canny that they everywhere render the complexities of affect coded as music,“resonance merging/ with its being/ struck.” As attuned to “the mercantile/world working” as to the erotics of “literal skin” Fire Break reminds us of the important Objectivist legacy Oppen and Rakosi left on the West Coast. Few are more their heir than George Albon. (Brian Teare)

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