Description

Book Synopsis
Film Studies is a concise and indispensable introduction to the formal study of cinema. The second edition to this best-selling textbook adds two new chapters: “Film and Ideology” and “Film Studies in the Age of Digital Cinema.”

Trade Review
Sikov is remarkably clear in his explanation of the technical elements of film as well as conceptual matters. Film Studies makes conceptually challenging material part of the introductory experience. -- Katherine Fusco, author of Silent Film and U.S. Naturalist Literature: Time, Narrative, and Modernity

Table of Contents
Preface: What This Book Is—and What It’s Not
Introduction: Representation and Reality
1. Mise-en-Scene: Within the Image
2. Mise-en-Scene: Camera Movement
3. Mise-en-Scene: Cinematography
4. Editing: From Shot to Shot
5. Sound
6. Narrative: From Scene to Scene
7. From Screenplay to Film
8. Filmmakers
9. Performance
10. Genre
11. Special Effects
12. Film and Ideology
13. Film Studies in the Era of Digital Cinema
14. Putting It Together: A Model 8- to 10-Page Paper
Glossary
Acknowledgments
Index

Film Studies second edition An Introduction

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    Order before 4pm tomorrow for delivery by Tue 23 Jun 2026.

    A Hardback by Ed Sikov

    2 in stock


      View other formats and editions of Film Studies second edition An Introduction by Ed Sikov

      Publisher: Columbia University Press
      Publication Date: 6/2/2020 12:00:00 AM
      ISBN13: 9780231195928, 978-0231195928
      ISBN10: 0231195923
      Also in:
      Films, cinema

      Description

      Book Synopsis
      Film Studies is a concise and indispensable introduction to the formal study of cinema. The second edition to this best-selling textbook adds two new chapters: “Film and Ideology” and “Film Studies in the Age of Digital Cinema.”

      Trade Review
      Sikov is remarkably clear in his explanation of the technical elements of film as well as conceptual matters. Film Studies makes conceptually challenging material part of the introductory experience. -- Katherine Fusco, author of Silent Film and U.S. Naturalist Literature: Time, Narrative, and Modernity

      Table of Contents
      Preface: What This Book Is—and What It’s Not
      Introduction: Representation and Reality
      1. Mise-en-Scene: Within the Image
      2. Mise-en-Scene: Camera Movement
      3. Mise-en-Scene: Cinematography
      4. Editing: From Shot to Shot
      5. Sound
      6. Narrative: From Scene to Scene
      7. From Screenplay to Film
      8. Filmmakers
      9. Performance
      10. Genre
      11. Special Effects
      12. Film and Ideology
      13. Film Studies in the Era of Digital Cinema
      14. Putting It Together: A Model 8- to 10-Page Paper
      Glossary
      Acknowledgments
      Index

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